The Death of Art Posted By Ben Shapiro
URL to article: http://frontpagemag.com/2012/02/01/the-death-of-art/
Over the weekend, I was reading Stephen Sondheim’s fantastic semi-autobiography – really, a commentary on his lyrics over the years – Finishing the Hat. Sondheim’s brilliant, of course, and his use of language is exact – the rhymes and rhythmic schemes in Sweeney Todd are simply spectacular. Sondheim asks the question, though, whether such linguistic playfulness is worthwhile. He does so by quoting an anonymous pop composer, X – some have suggested it’s Pete Townshend of The Who – dismissing rhyme as unimportant in lyrics: “I hate all true rhymes [i.e. red and bed, as opposed to false rhymes, like home and alone]. I think they only allow you a certain limited range …. I’m not a great believer in perfect rhymes. I’m just a believer in feelings that come across. If the craft gets in the way of the feelings then I’ll take the feelings any day.”
Sondheim caustically observes, “Claiming that true rhyme is the enemy of substance is the sustaining excuse of lyricists who are unable to rhyme well with any consistency … The point which X overlooks is that the craft is supposed to serve the feeling. A good lyric should not only have something to say but a way of saying it as clearly and forcefully as possible – and that involves rhyming cleanly. A perfect rhyme can make a mediocre line bright and a good one brilliant. A near rhyme only dampens the impact.”