http://www.israelhayom.com/site/newsletter_opinion.php?id=4765
New Jersey Governor Chris Christie gave an order for all flags on government and office buildings in his state to be flown at half mast on Monday. This was Christie’s tribute to actor James Gandolfini, who died of a heart attack last week in Rome. Gandolfini, known across the globe as the star of the hit HBO drama series “The Sopranos,” was a native son of New Jersey, where the bulk of the show was filmed.
In response to this grandiose gesture, some critics argued that, as wonderful as he was in his role as mob boss Tony Soprano, Gandolfini was merely a TV star. He was not a military hero; he did not invent a cure for cancer; and, though tragic for his family and friends, his death did not warrant gubernatorial attention.
This is a valid claim. But Americans’ attitudes toward Hollywood are similar to those of the British to the royal family. In fact, the cover stories of supermarket tabloids in both the United States and the United Kingdom this week dealt with the recent birth of Kim Kardashian’s baby and the imminent birth of Kate Middleton’s.
It is not surprising, then, that the news of Gandolfini’s death caused more of a stir in many circles than the terrorist murder of four Americans in Benghazi last September.
What is surprising, however, is the apparent lack of awareness on the part of Gandolfini fans about the nature of their grieving in this particular case. Indeed, with all the carry-on about the greatness of both Gandolfini and the character he played, little has been written about the real root of our attraction to him.
Because it is not self-evident that an overweight, philandering, sociopathic, narcissistic, ruthless criminal could cause audiences to become enamored with and addicted to his machinations, explanations for the success of “The Sopranos” have abounded since the show first aired in 1999. The show’s final episode, in June 2007, generated more discussion and debate at water coolers and on the Internet than a presidential election.
It is true that “The Sopranos” is a work of genius, with a cast to match. It is compelling, riveting, suspenseful and witty. It provides something for everyone, from chase scenes to love scenes, mafia family dynamics and suburban family life. It deals with drugs, sex and violence, alongside conventional marital and parental problems.