There is a movie which is getting glowing reviews about the great poseur, pseudo philosopher/historian and Jew basher Hannah Arendt. The only thing missing in the movie is Vanessa Redgrave as the star to make it perfect hogwash.
Professor Bernard Wasserstein nails it perfectly. “Wasserstein: Hannah Arendt is one of those twentieth-century figures, like Edward Said or Michel Foucault, who have acquired absurdly inflated reputations on the basis of work in which lack of intellectual rigor is concealed behind barrage-balloons of overblown rhetoric.”
This is a discussion from Frontpage in 2010: “Is Hanna Arendt Still Relevant ? http://frontpagemag.com/2010/jamie-glazov/symposium-is-hannah-arendt-still-relevant/print/
In this special edition of Frontpage Symposium, we have invited two distinguished guests to discuss the question: Is Hannah Arendt still relevant? We ask this in the context of whether Arendt’s definition of totalitarianism is still relevant and whether it can shed light on the conflict the West now faces.
Our guests today are:
Bernard Wasserstein, a professor of history whose are area of interest is Jewish history. He is currently teaching at the University of Chicago. In early 2009, he wrote a long and critical essay on Hannah Arendt that called her methods and arguments into question. He argued, among other things, that totalitarianism is not a useful analytical category, that Arendt relied in her writing on pro-Nazi sources and that she showed barely concealed hostility toward the Jewish people. His essay has evoked a big response both in Britain and the U.S.
and
David Satter, a senior fellow of the Hudson Institute and a visiting scholar at the Johns Hopkins University Nitze School of Advanced International Studies (SAIS). He was Moscow correspondent of the Financial Times of London from 1976 to 1982, during the height of the Soviet totalitarian period and he is the author of Age of Delirium: the Decline and Fall of the Soviet Union, which is being made into a documentary film. His most recent work is Darkness at Dawn: The Rise of the Russian Criminal State.