JONATHAN TOBIN: THE QUENELLE SALUTE AND EUROPEAN JEW HATRED
http://www.commentarymagazine.com/2014/01/03/more-than-a-gesture-behind-euro-jew-hate/#.Usg41eOXwQg.email
Most of us may not have heard of it until recently, but the quenelle, the name given to a hand gesture that is a downward facing Nazi salute, has become an important symbol of the shift in European culture in recent years. Created by Dieudonné M’Bala M’Bala, an anti-Semitic French comedian, the quenelle is now all the rage in France. Soccer players do it after scoring goals and the comic’s fans, including soldiers, send him pictures in which it is performed in every conceivable manner, especially at sites like Holocaust memorials, synagogues, and schools. Even Tony Parker, a French citizen and an American basketball star of the NBA’s San Antonio Spurs, has had his picture taken performing it with Dieudonné, as he is known on stage, though Parker has since apologized. As such it is an all-too-pertinent example of how Jew hatred has moved from the margins of European society to the mainstream as a result of what the U.S. State Department has termed a “rising tide” of anti-Semitism.
Though M’Bala M’Bala claims the gesture is nothing more than an “anti-system” inside joke, his attempts at humor tend to revolve around resentment against Jews. That allows the jest to be the not-so-secret handshake that brings disaffected Muslim immigrants together with the denizens of the far right in a shared community of hate in which Jewish targets are the punch lines. But while French authorities, including sports league officials, are seeking to discourage its use, the problem here is a lot bigger than one foul-mouthed show-business personality and his followers.
At a time when the efforts of European intellectual elites to delegitimize Israel has frequently crossed the line into anti-Semitism, and the growing population of North Africans and Africans have brought their own brand of traditional animus toward Jews onto the continent, the quenelle is the perfect example of the changed atmosphere in Europe and the way practitioners of Jew hatred have managed to portray themselves as trendy rather than throwbacks to the Holocaust.
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