http://www.nationalreview.com/node/372901/print
Here is a selection of recent headlines: “Jon Stewart Destroys Megyn Kelly,” “Jon Stewart Destroys Fox News’ ‘Spite-Driven Anger Machine,’” “Jon Stewart Destroys What’s Left of Peggy Noonan’s Credibility,” “Jon Stewart Destroys Fox News Over Syria Coverage,” “Jon Stewart Destroys Glenn Beck’s Utopia,” “Jon Stewart Destroys Bill O’Reilly” — there are about 520,000 more — and, not to be missed, “Jon Stewart Destroys Chicago-Style Pizza.”
The sound of terrors is in his ears at 11 p.m. on Comedy Central, and in prosperity the destroyer cometh upon him.
Mr. Stewart is the host of a fake news show, the genesis of which probably was a conversation that went approximately like this: Brother-in-Law: “There’s nothing funny on Saturday Night Live except the ‘Weekend Update.’ They should really just do that for the whole show.” Jon Stewart: “Hey . . . !” Mr. Stewart is among the lowest forms of intellectual parasite in the political universe, with no particular insights or interesting ideas of his own, reliant upon the very broadest and least clever sort of humor, using ancient editing techniques to make clumsy or silly political statements sound worse than they are and then pantomiming outrage at the results, the lowbrow version of James Joyce giving the hero of Portrait of the Artist as a Young Man the unlikely name of Stephen Dedalus and then having other characters in the novel muse upon the unlikelihood of that name. His shtick is a fundamentally cowardly one, playing the sanctimonious vox populi when it suits him, and then beating retreat into “Hey, I’m just a comedian!” when he faces a serious challenge. It is the sort of thing that you can see appealing to bright, politically engaged 17-year-olds.
His audience is not made up of bright, politically engaged 17-year-olds. But Mr. Stewart has pulled off a pretty neat trick: He has, as the half-million or so headlines mentioned above indicate, made fake news into real news, and it is not an accident that the verb “destroys” so often follows his name. Mr. Stewart is the leading voice of the half-bright Left because he is a master practitioner of the art of half-bright vitriolic denunciation. His intellectual biography is that of a consummate lightweight — a William and Mary frat boy who majored in psychology, which must have been a disappointment to his father, a professor of physics — and his comedy career has been strictly by-the-numbers, from the early days on the New York City comedy-club scene to changing his name (Mr. Stewart began life as Mr. Leibowitz) and a career-boosting stint on MTV, where he was second only to Beavis and Butt-Head in the ratings. He subsequently may have matched Beavis and Butt-Head’s popularity, but he has never risen to comparable heights of social insight.
