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Climate change worse than ISIS, singer Neil Young?

CO2 sinking Miami, EPA chief Gina McCarthy?

Cats and dogs gone by 2023, author Naomi Orestes?

Machine gun Santa, novelist Philippe Squarzoni?

With the Earth continually failing to warm as computer models project, climate campaigners are getting desperate.

Where do they turn? Fear, slander and propaganda.

Marc Morano, who runs CFACT’s award-winning Climate Depot, has rounded up a number of rather shocking accounts of activists veering the global warming debate way off the scientific track.

Climate Depot has become the indispensable, “go-to” source for news and information that challenges global warming alarmism with hard science and analysis. Many thousands of people around the world make Climate Depot a daily destination when reading the news. I hope you’ll bookmark it and join them.

If the media were doing their job, they would ignore the junk science that warming campaigners spew every day. They would at least present experts to counter the junk with facts. Sadly, we know we can’t count on the old media for balance.

Fortunately, today’s new media gives people a chance to examine for themselves the facts that Big Green advocates fear.

The decision by the most prestigious opera house in America to produce an opera that mainstreams Jew-hatred and anti-Jewish terrorism is a great victory for elitist anti-Semitism. In the world of elite anti-Semitism, Jews are told that truth is but a narrative. Jewish history and rights have no more merit – indeed less merit – than the lies of Jew-haters. And if Jews dare to object to the propagation of lies against them, they open themselves to the easy accusation that they seek to stifle free speech.

The goal of elitist anti-Semitism is to erode the right of Jews to have and promote Jewish rights and interests. This is done by demonizing those who defend Jewish rights and advance Jewish interests, while elevating and romanticizing the lives and largely false narratives of those who seek to destroy Israel.

The Met’s singular contribution to the cause of elitist anti-Semitism is the prestige its production of “The Death of Klinghoffer” confers on the cause.

Another dam has been breached. Another safe zone has become a no-go zone.

On the other hand, at the end of the day, as bad as elitist anti-Semitism is, over the past decade or so, American Jews have developed tools to deal with it.

In the weeks that preceded the opera’s opening last Monday night, much – although not all – of the Jewish community in New York was able to unify in opposing it. Politicians and luminaries joined with more than a thousand protesters on opening night to express their revulsion at the opera.