Jews are being cast in various roles with respect to their response to the Klinghoffer opera: Bold, Terrorist-Humanizing, and Meek
Peter Gelb has generated a drama worthy of an important new opera about the American Jewish community. And here, in The Jewish Press, is an exclusive of the cast and the story line.
Gelb is the managing director of the Metropolitan Opera. It was Gelb’s decision to stage John Adams’ opera about the terrorist murder of a disabled, elderly American man, Leon Klinghoffer. The Arab terrorists shot Klinghoffer in the head and in the chest and had him and his wheelchair thrown overboard as evidence of their unyielding position to swap innocent lives for convicted terrorist Arab prisoners in Israeli jails.
Klinghoffer was selected for the sacrificial murder because he was a Jew. Not an Israeli, but a Jew.
John Adams, along with Alice Goodman (born a Reform Jew, now an anti-Semitic Anglican minister), who wrote the heinous librettos, in their own words, set out to “humanize” the terrorists. That is the goal of the opera.
For the past six months, a stalwart collection of grass roots activists, largely based in the New York City area, have been working to inform a critical mass of Americans that it was a grotesquely offensive decision to stage the Klinghoffer opera (falsely titled: the “Death of Klinghoffer” – he didn’t just die, just as Daniel Pearl did not just die – each was murdered because, as Jews, they were powerful propaganda tools).
Should a dramatist decide to write an opera about the sturm und drang on the streets of New York regarding the Klinghoffer opera, there would be three distinct types being cast.
PROUD KLINGHOFFER JEWS
The first type to be cast would be what we’ll call the Proud Klinghoffer Jews, PKJ. This is a new group of actors/activists on the scene. These are the ones who have been forged in the crucible created by years of passive Jewish leadership and streetwise but unwieldy passion. It has been unleashed by the staging of what many consider an inciteful (not insightful), anti-Semitic, philo-terrorist opera at a time of rising anti-Semitism and global terrorism. There would be starring roles amongst these singers.