Back when Republican Mayor Rudolph Giuliani threatened to cut off municipal funds to the Brooklyn Museum for an exhibition that included, among other controversial works, a collage of the Virgin Mary made by Chris Ofili from pornographic magazine images and shellacked clumps of elephant dung, the NYTimes ran several columns defending the freedom of art to offend.
This is from Michael Kimmelman’s Critic’s Notebook: Cutting Through Cynicism in Art Furor (NYT9/24//99): “In the end, there can be no underestimating the genuine pain that works like those in “Sensations” can cause people, most particularly Christians who may find the art world’s refined justifications for Mr. Ofili and his colleagues inadequate, if not callous. Roman-Catholics, Italian-Americans and white Anglo-Saxon Protestants, among others, sometimes argue that they are treated by artists as acceptable targets while certain other groups are taboo. And it is a fair question: would the defenders of art react the same if the offending image were of Rosa Parks rather than the Virgin Mary? But no race or issue is actually untouchable in the arts.”