Re the accelerating Islamization of Europe, Bob Belvedere over at the Camp of the Saints has an interesting aside:
People like the Koch Brothers should really be forming paramilitary units for the purposes of rescuing what European Treasures they can, such as the aforementioned Throne [of Charlemagne], the Mona Lisa, Michelangelo’s David and Pieta, Magna Carta, etc.
Put Magna Carta to one side for the moment, since the document is a mere souvenir of the idea, and it’s the idea that matters, which is why some of us are still writing books on the subject (personally autographed copies exclusively available from the SteynOnline bookstore).
But the notion of commando teams rescuing what’s left of western art from the Eurabian night struck me a year or so back as I was watching a rather undernourished George Clooney flick, The Monuments Men, about art experts rescuing great paintings marooned behind enemy lines during World War Two. In the first chapter of his very prescient book The West’s Last Chance, written before the Mohammed cartoon eruptions, the late Tony Blankley contemplates a European future in which firebreathing imams incite art wars on whatever’s to hand – Michelangelo’s “Little David” gets blown up in Florence, Albrecht Dürer’s Adam and Eve are attacked with acid, a car bomb explodes outside the Rodin museum… More and more of the surviving works are carted off to “secure” storage facilities, never to be seen in public again.