What is the Smithsonian Institution?
It is a depository of national treasures and a national treasure in and of itself. It is the world’s largest system of museums — 19 museums, nine research centers, 138 million items in the archive, etc. — and it is a trust established by Congress, the original bequest from the British scientist James Smithson having been squandered through — one suspects this history will repeat itself — a bum investment in Arkansas bonds, which the state defaulted on.
It is also corrupt.
The Smithsonian has opened a new National Museum of African American History and Culture, a long overdue addition to its offerings. And in this version of African-American history and culture, black conservatives do not exist.
Specifically, the life and career of Supreme Court justice Clarence Thomas have been — forgive the term — whitewashed from the record. Anita Hill, an obscure functionary who achieved for herself a moment of fleeting fame when she advanced the interests of the Democratic party by smearing Clarence Thomas with lurid, flimsily documented allegations of sexual harassment, is presented as a major figure of the 20th century.
The scholar and jurist who actually sits on the Supreme Court? Clarence Thomas is an invisible man, so far as the Smithsonian is concerned.
There are two possible explanations for this. The first is the Hanlon’s-razor (never attribute to malice what may be adequately accounted for by stupidity) explanation: The dons of American history simply goofed and overlooked Justice Thomas, as though the new museum were a picnic and each of its curators thought the other guy was bringing the potato salad. Because we tend to have warm feelings toward the Smithsonian, we may extend maximum charity in our analysis here. But even at the limit of that charity, we could conclude at best that the Smithsonian is managed by incompetents, that its management should be decimated or more than decimated, and that Congress should use its purse-string powers to effect this.
The second and more likely explanation is that the Smithsonian is corrupt.
This would not be surprising. The Left is committed to its Long March through the Institutions, with a special emphasis on cultural and educational institutions, the commanding heights of public discourse. The Left corrupts everything it touches, and it subordinates everything it touches to politics. That is true of everything from the public schools to labor unions to Catholic seminaries. If you are a high-school sophomore in Lubbock, Texas, that might mean receiving an account of American history which consists almost exclusively of the Great Depression, Jim Crow, and the Triangle Shirtwaist Fire, as I did. If you are a family of modest means that has saved its pennies for a once-in-a-lifetime trip to our nation’s capital with the intent of exposing your children, however briefly, to the best that has been thought and written in the American context, that means a museum of African-American history in which a major figure in African-American history has been airbrushed away like a Soviet apparatchik fallen into disfavor.
