Debra Lipstadt’s scholarly analysis of the Holocaust and its ugly denial industry in her prize-winning 1993 Denying the Holocaust: The Growing Assault on Truth and Memory, spurred a libel suit by one of the chief soi-dixit ‘historians‘ of anti-Semitic and Nazi-affiliate lineage, the rancid David Irving.
The Irving v. Penguin Press Ltd trial caused a sensation not only in its natal Great Britain, but occasioned intense interest and shudders too in the United States, where Lipstadt lives and writes.
Historians, ethicists, and scholars alike feared the verdict, which could have cast a cruel shadow over future such cases and the reliability of history itself, were it to go in a direction that did not accord acknowledgment of the horrors to future investigators, remaining survivors and their offspring.
Though there is only fact and history behind all Holocaust witness, there is now, as Lipstadt chronicles, a growing shelf of denial that threatens to increase as Endlösung witnesses die out. The thesis of the book’s author is that such denial is simply pure anti-Semitic diatribe scarcely varnished by the not-even-gossamer of truth, veracity or historicity.
Irving sought to diminish and denigrate the claim of six million dead, the genocidal intent on the part of the Nazis, and indeed the very existence of gas chambers in the infamous death camps kitted out by the Germans and their brethren haters.
It is painful to experience the trial at the start, where the barristers determine that testimony at trial from survivors and even Lipstadt herself would be deleterious to winning, rather than a help, to the defense. This runs contrary to what most people instinctively want, so the film generates a tension of continuous “Unfair!” that adds to the fine legal arguments on both sides that stretch the tension taut for the defendant. Richard Evans’ brief played a major role in convicting Irving.