JeruZalem
Directed by the Paz Brothers
After 14, most of us aren’t big fans of horror films. But as often gauche as JeruZalem is in parts, it benefits from a quirky POV as the protagonist female uses Google Glass for all the proceedings. Despite some obvious genre tropes – infected friend dragging along instead of being shot, screams where no one would want to make a sound, a supposedly lost brother coming back to convenient view, a creepy “rescue” scene in a Jerusalem insane asylum (we have all seen that building exterior, and pray the insides are not what is depicted here) – the film has some idiosyncratic charms, chief of which are many scenes of lesser familiarity in the catacombs, areas not often seen by tourists to this incredible country. The facial recognition data identifying known, acceptable people versus unacceptable appearing onscreen throughout is a nice touch.
Two grain-fed millennial girls from Corntown, USA visit the land of milk and honey. They meet two men and immediately swan around with them, though one is skeevy and up to no good, and the other is a bland drip. Premonitions of doom follow almost immediately. Run for your souls!
The basis for the grotty threat is from Jeremiah 19, in the Talmud: There are three gates to hell: One is in the desert, one supposedly in the ocean … and the last one is in Jerusalem.
Though not all audiences like this film – some guys got really annoyed as the film proceeded, and their view was not grace-noted and hosannas – it is actually kind of more unexpected viewability than you get from most horror films, and there’s all that terrific footage of out of the way sites in the ancient capital city. There’s less slashing and bleeding than the norm, and there’s a lot of biblical gobbledygook, but in the end, if you stick it out, it is sort of an apocalyptic take on a gloomy genre. There are unlikely giant monsters, random demons and zombie-ish creatures, even the manly few IDF regulars, who act in ways the IDF doesn’t and wouldn’t – and explanations are nowhere to be found. In terms of on-screen nightmares, a good rule of thumb is less is definitely more. But kudos, at least, to the directors for utilizing the holy city for more than sanctimony.