‘Julius Caesar’ Review: A Tyrant in the Director’s Chair When it comes to the Trump-focused Shakespeare in the Park production, director Oskar Eustis seems more imperious than any of the play’s characters By Edward Rothstein
https://www.wsj.com/articles/julius-caesar-review-a-tyrant-in-the-directors-chair-1497390407
Before turning to the controversies inspired by the Public Theater’s new production of Shakespeare’s “ Julius Caesar ” at Central Park’s Delacorte Theater, consider what makes the title character such a tyrant. The evidence is strangely scant. We hear from Brutus that he was ambitious. He valued theatrical display as a political tool. And while boasting of being as constant as the Northern Star, he inconsistently gave into whim and superstition.
Be that as it may, fearsome tyrant he is taken to be. But in this production, the real tyrant is not Caesar, but its director, Oskar Eustis. He more clearly comes across as ambitious, inconsistent, with little regard for limits, manipulating his audience by playing to popular taste. Perhaps, given such directorial tyranny, I might follow the example of the play’s conspirators, justly take dagger in hand, and add a bloody gouge to his self-inflicted wounds.
Maybe every director is entitled to some political posturing, particularly with Shakespeare who, like Bach, can take a lot of interpretive abuse before he becomes something else. But Mr. Eustis’s territorial claims are imperial. In the program notes, he boasts: “I can say without embarrassment that I decided to open our summer season with Julius Caesar as of November 9, 2016.” In other words, he saw Trump as Caesar the day after Election Day, he thinks that point of view is self-evident, and he still sees the analogy.
Let’s say he’s correct. So when Caesar emerges from a bathtub in this production, stark naked and displaying himself for conspirators and audience alike, no doubt we are meant to think of Trumpian narcissism. What then are we to think of when this erstwhile president is lying in a puddle of blood in the Roman Senate?
Ay, there’s the rub. It is not surprising that Delta Air Lines and Bank of America announced they were pulling out of sponsorship of the production.
But, given Mr. Eustis’s political perspective, such corporate opposition must be like the coronet Caesar covets. It is an honor, which increases because he finds it so wrong-headed. He has said the play is really a “warning parable” about the dangers of fighting for democracy using undemocratic means. Brutus and Cassius come to no good. The play opposes assassination; it does not glorify it.
Comments are closed.
