https://spectator.org/hard-times-u-s-a/
Dwight Yoakam had me in tears Sunday night. I was watching the new Ken Burns PBS documentary series about the history of country music, and Yoakam quoted a Merle Haggard song, “Holding Things Together,” which is about a man trying to raise his children after his wife has left the family. When Yoakam sang the verse about a heartbroken father attempting to comfort his daughter on her birthday, he choked up, and suddenly the tears were streaming from my eyes, too.
They just don’t write ’em like that anymore, not even in Nashville. Those old songs about hard times and broken hearts, crying in your beer over a cheating woman — you can literally feel the pain in the twanging voices and the whining steel guitars. And the men and women who sang those songs knew a thing or two about hard times, having come from backgrounds of poverty that few Americans in the 21st century can imagine.
Give credit to Burns for this: His eight-part series reminds us that what our contemporary progressives denounce as “white privilege” has never been universal in America, and it certainly didn’t typify the backgrounds of the folks who made Nashville famous as “Music City, U.S.A.” Haggard, for example, was born in Kern County, California, in 1937, the youngest of three children in a family that had left a farm in Oklahoma after their barn burned down. The Haggards were “Okies,” characters right out of a Steinbeck novel, at the bottom of the heap in one of the worst economic eras in American history. Merle’s life didn’t get any easier when his father died in 1945. The future country music star was only eight at the time, and after his father’s death he became a juvenile delinquent. He was later sentenced to San Quentin prison, which inspired one of his most famous lyrics: