https://www.spiked-online.com/2023/05/02/how-anti-semitic-tropes-crept-back-into-the-mainstream/
The Guardian has apologised for its cartoon of former BBC chairman Richard Sharp, which has been widely condemned for containing anti-Semitic tropes. Martin Rowson’s cartoon depicted Sharp with an impossibly large nose, clutching a box marked ‘Goldman Sachs’, containing a puppet of UK prime minister Rishi Sunak and what appears to be money. It essentially painted Sharp as a grasping Jewish puppet-master.
At the weekend, the Guardian removed the cartoon from its website and issued a mealy mouthed apology. It was the kind of apology that was clearly scripted by in-house legal advisers. The cartoon, the Guardian said, ‘did not meet our editorial standards’. The newspaper made clear it ‘apologises to Mr Sharp, to the Jewish community and to anyone offended’, but it has not explicitly acknowledged that the cartoon features anti-Semitic tropes. As for Martin Rowson, he tweeted to say that he ‘screwed up pretty badly’. He later published a lengthy apology / explanation on his website. ‘This is on me, even if accidentally or, more precisely, thoughtlessly’, he wrote.
What I find most disturbing about this affair is not so much the sight of yet another grotesque depiction of a Jewish person, or the use of classic anti-Semitic tropes. Rather, it is the casual manner in which such incidents are treated. You could easily get the impression that the cartoon is really no big deal. The Guardian seems to think that a perfunctory half-apology will be enough to put things right. Rowson, while effusive in his apology, has only really admitted to being careless.