https://spectatorworld.com/book-and-art/jp-morgan-library-gilded-age-museums-deia/
John Pierpont Morgan is the glowering face of the Gilded Age. He may have glowered at pesky men with cameras because he was too busy to sit still, but he was also self-conscious because his nose was deformed from rhinophyma. He liked beautiful things, and he was not beautiful.
Born into banking family, Morgan rose to become the greatest financier of his time, building much of his empire on railroads. But he was far more than a shrewd businessman. Fluent in French and German and holding a degree in art history, he became a prodigious collector of books and art, a large portion of which were kept at his house on Madison Avenue and 36th Street — what is now the Morgan Library & Museum.
Given the scale of New York City, the Morgan Library must be counted among Manhattan’s smaller treasures, but the actual library — three tiers of rare and ultra-rare books connected by secret passageways is a wonder to behold. The “museum” portion of the house presents small-scale shows, often with literary themes, and often worth the detour from the city’s more celebrated gigantic warehouses of the arts.
What brings the Morgan Library & Museum to my attention right now is a notice that arrived in my inbox a few weeks ago. The director, Colin B. Bailey, wrote to explain how the Morgan had been moved to respond to the “murder of George Floyd” by undertaking important work “for greater diversity, equity, access and inclusion (DEAI).” In October 2020, the Morgan had launched its “first six-month DEAI Action plan.” First, mind you. But the novelty for me was the “A.” Over here in the world of education, it always just DEI, but I can see that “access” may be a good buzzword for libraries and museums.