https://www.tabletmag.com/sections/arts-letters/articles/book-of-ruth-wisse-phyllis-chesler
Like the poet John Masefield, I also suffer from “sea fever” and so down I went to the “seas again, to the lonely sea and the sky.” I needed no “tall ship,” only a room on the beach with a terrace—and all the time in the world to read Ruth R. Wisse’s new book, Free as a Jew: A Personal Memoir of National Self-Liberation.
Reader: I could not put it down. I still chose to read it slowly, to savor it, take it all in. I must have underlined at least a quarter of the book. Wisse commands an aerial view of Jewish history, bringing it to bear on Israeli politics and on the demonization of the only Jewish state. She continues to issue her clarion call about the plague of “political correctness” that threatens to devour the entire Western enterprise.
Free as a Jew is an “intellectual memoir,” but it is also a family history replete with charming photos; a story of European Jews before, during, and after the Holocaust; and a warm introduction to Yiddish literature, and to many of the major Yiddish writers whom Wisse and her parents knew, hosted, and supported in Montreal, where they lived after fleeing Romania. Wisse introduces us to many of these writers: Sholem Asch, Sholem Aleichem, Itzik Manger, Mendele Mokher Sforim, Abraham Sutzkever, and Chaim Grade, as well as to Bashevis Singer, Saul Bellow, Leonard Cohen, Hillel Halkin, Yehuda Amichai, Irving Howe, and Norman Podhoretz.
For Wisse, Yiddish is not a social justice enterprise, nor is it mainly associated with “progressivism.” Rather, it is a rich language, “associated with the actual Yiddish-speaking communities, which remained what they had always been: outposts of Jewish separatism, consisting mainly of religiously observant Jews living culturally apart from the surrounding population.” Yiddish—the language, the culture, the works—is not meant to be politicized.
Free as a Jew is also a story about Ruth’s love affair with Israel, and about Montreal’s Jews (told through the lens of Ruth’s long career, both at McGill and in publishing, long before she accepted a position at Harvard).
But this work is primarily a quintessential history of ideas, and about the law of unintended intellectual consequences. Wisse now questions her founding Jewish studies, just as I’ve questioned my founding of women’s studies because all identity-based academic studies have become weaponized in the war against Western civilization, which has also come to mean a war against America and Israel.
