https://www.nationalreview.com/2020/11/monumental-misdirection-at-the-mellon-foundation/
Hundreds of millions for woke public art aimed to stoke victimologies.
M ost monuments are boringly bad, aesthetically mediocre, and engaging mostly when pigeons, unimpressed by great causes or men, do what pigeons do to outdoor art. Their judgments are ecumenical and evacuational.
Pigeons also would probably disagree with me on one point. We have too many monuments. You’d think the tortured, 20-year path of the Eisenhower Memorial in Washington would put people off monuments for a while. It’s not as ugly as it might have been. Oddly, it’s best seen at night, when the big mesh screen makes sense, though who’s walking around the Washington Mall these days after dark?
The Mellon Foundation thinks we need new and improved monuments. Lost in the COVID catastrophe is last month’s big news that the Mellon Foundation has committed $250 million over five years to pay for new monuments or historic storytelling spaces, freshen existing ones with context relevant to today, and remove monuments no one wants because they are bad art or they no longer edify.
That’s a huge amount of money and the primary commitment of the country’s biggest arts and humanities foundation. It’s to be taken seriously and followed closely. This is the foundation’s first step in implementing a strategic shift announced in June. For years, it supported blue-chip arts-and-humanities projects. Now, it’s in the social-justice business. It’s focusing its money on “building just communities enriched by meaning and empowered by critical thinking where ideas and imagination can thrive.”