https://www.frontpagemag.com/fpm/2020/07/purifying-publishing-bruce-bawer/
Of America’s most powerful and prominent cultural institutions, it’s quick work naming those that aren’t entirely left-wing satrapies. TV? Fox News, although things are looking less and less encouraging there. Colleges? Hillsdale, I guess, though how many Ivy League faculty members would ever admit to having heard of it? Newspapers? The New York Post (sometimes), Wall Street Journal (kind of), and perhaps one or two others from sea to shining sea. Silicon Valley? Nothing. Hollywood? ¡Nada! Big business? Hmm: what is there, nowadays, honestly, other than that My Pillow guy?
One field in which there’s at least a soupçon of ideological diversity is the book trade. Yes, staffers at the major publishing houses are overwhelmingly on the left. Ditto bookstore employees. Plus the people who give out the major book awards. Not to mention that the heftiest advances for political books go to Democrats. Since the turn of the century, the biggest nonfiction book deal, amounting to at least $65 million, was for Michelle Obama’s Becoming (2018) and for an as-yet-unpublished opus by Barack; second – raking in $15 million – was Bill Clinton’s My Life (2004); third – at $14 million – was Hillary’s Hard Choices (2014).
One more thing about the reflexive leftism of the book scene. Thanks to today’s lethal cancel culture, even classics are at risk. Recently, in an article for the School Library Journal headlined “Little House, Big Problem: What To Do with ‘Classic’ Books That Are Also Racist,” Marva Hinton identified both Mark Twain’s The Adventures of Huckleberry Finn and Harper Lee’s To Kill a Mockingbird as racist. No, she didn’t just say that they contained racist language, which would have been fair enough; she asserted that these two books – both of them key texts in the history of the American struggle against racism – are in fact racist.