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Blessed by serendipitous synchronicity, Clint Eastwood’s movie, eponymously titled “Richard Jewell,” concerns the FBI mishandling of the Atlanta Olympic Park bombing and opened two days after the release of the Horowitz Report found 17 omissions or incorrect commissions in the Carter/Page application submitted by the FBI to the FISA Court. It is startling to see the same malfeasance brought to public attention in 1996, including a sexual relationship with an officer of the FBI, as well as other unlawful behavior in the bureau’s interrogations and investigations. Beyond that unusual coincidence, the movie is noteworthy for its restraint, particularly considering that its producer and director was Dirty Harry at the beginning of his career.
Compared with too many over-the top violent films (The Irishman, Once Upon a Time in Hollywood), Richard Jewell deals with a 30-something security officer who lives with his mom (an excellent Kathy Bates), and tries his best to be helpful to others and live according to an out of fashion code of behavior. He is out of shape and out of style and lives a lonely life of social ostracism. After he discovers a fully loaded backpack left under a bench at the Olympic stadium, he succeeds in warning the police and negotiating a significant evacuation before the bombs explode, killing two people and injuring at least a hundred others. He is first hailed as a hero, and then considered a suspect according to the profile of a perpetrator who commits a crime in order to become a savior. Richard is played by Paul Walter Hauser in a tour de force of typecasting as well as acting.