RUTHFULLY YOURS

https://amgreatness.com/2019/10/19/what-the-framers-knew-that-hillary-doesnt/

Beneath Clinton’s feud with Tulsi Gabbard and the Democrats’ impeachment efforts is a vital lesson about political corruption and the value of constitutional government.

Hillary Clinton was in the news this week for her odd feud with 2020 presidential candidate Tulsi Gabbard, a Democratic member of Congress from Hawaii. Clinton accused Gabbard of being a “Russian asset” who is being groomed by the Kremlin to defect from the Democratic Party and run as a third-party candidate. The two-time presidential candidate claims Gabbard would then fulfill the same spoiler role as Green Party candidate Jill Stein did in 2016, diverting votes from the Democratic nominee. This, Clinton explained, would help President Trump’s reelection.

There is no evidence to support Clinton’s completely fanciful charge, and Gabbard has said she will not run as a third-party candidate. (It’s a strange feud, too, in the sense that Clinton isn’t a candidate and Gabbard is polling at roughly 1 percent.) Indeed, Clinton’s hackneyed Russian fantasy was of a piece with the baseless claim that President Trump had colluded with Russia to secure his 2016 election victory.

Democrats have claimed over and over that Trump has some sort of mental illness, but a far stronger case could be made that it is Clinton who is clinically delusional. She remains unable to understand that she failed to gain an Electoral College majority because she was the less talented candidate and because of her obvious use of her governmental position corruptly to increase her and her family’s wealth.

https://amgreatness.com/2019/10/19/who-the-hell-do-they-think-they-are/

“If we ask what they have done for us that we should have confidence in them, we realize that these people have lost every war they have waged since 1945. Accommodating themselves to our corrupt ruling class, they have been happy enough to wage endless no-win wars which have killed as many Americans as did World War I. The current military dictionary has no entry for “victory.”

With William McRaven’s call to oust President Trump—maybe through impeachment, maybe through a coup—the military officer class joins the establishment in claiming a right to rule, regardless of the outcome of elections.

Retired Admiral William McRaven devoted the bulk of a New York Times op-ed to appropriating for himself the moral and hence political authority of generations of soldiers and sailors (pointedly, especially the female ones) who have sacrificed for America, for “the good and the right.” Then he gratuitously stated—citing no specifics, as if everyone already knows—that “President Trump seems to believe that all these qualities are unimportant or show weakness.”

McRaven concludes, “it is time for a new person in the Oval Office—Republican, Democrat or independent—the sooner, the better.” At the very least, McRaven called for impeachment ahead of an election, or perhaps for a coup, and pretended to do so on the military’s behalf. In fact, his was just one more voice from an establishment that has squandered the public’s trust, senses that it can no longer win elections honestly, and is pulling out all the stops.

It pretends to be trying to take down Donald Trump. In fact, it is trying to do something much bigger: Invalidate the votes of the “deplorables” who oppose them.

https://pjmedia.com/trending/state-department-says-nearly-600-security-violations-in-clinton-email-review/

They took their own sweet time about it, but the State Department’s internal investigation into the Hillary Clinton email imbroglio has finally been completed. As you might expect, it was pretty much of a whitewash. The only eyebrow raising news coming from the release is the number of blatant security violations by Clinton and 38 other State Department employees.

Daily Caller:

State Department investigators probing Hillary Clinton’s use of a private email server as secretary of state discovered nearly 600 security incidents that violated agency policy, according to a report the Daily Caller News Foundation obtained.

The investigation, conducted by the State Department’s Bureau of Diplomatic Security, found 38 individuals were culpable for 91 security violations. Another 497 violations were found, but no individuals were found culpable in those incidents.

The investigation concluded Sept. 6, and the report was issued Sept. 13.

No criminal charges, no action whatsoever. It’s like the violations never happened.

Big surprise, huh?

Hillary fared a lot better than others who have mishandled classified information.

https://www.city-journal.org/frick-collection-expansion

Current architectural-alteration plans for the Frick Collection on Manhattan’s Upper East Side—which appear likely to clear their final regulatory hurdle at the end of this month—will cause considerable harm to the finest house museum in the United States. This is particularly unfortunate because the Frick’s superb classical architecture is integral to the experience of its magnificent art collection, consisting largely of Old Master paintings by the likes of Veronese, Rembrandt, van Dyck, and Fragonard.

As part of an expansion of its facilities, which include the 11-floor Frick Art Reference Library building in the northeast corner of its property, the Frick proposes to do away with its Music Room, a fine circular chamber that opens off the building’s Garden Court. Both the room and the court were designed by John Russell Pope in the 1930s. The Frick also proposes to gut the Reception Hall designed by John Barrington Bayley four decades later and to surmount Bayley’s beautiful pavilion housing the hall with a low and recessed—but thoroughly inappropriate—window wall. A new raised roof will make space for a second story on top of the pavilion, where a museum shop will be located, while Pope’s Music Room will be replaced by a special exhibition gallery, rectangular in plan. “Stripped classical” doesn’t do justice to the proposed gallery and new reception hall, which will also replace the Bayley pavilion’s bookshop, lodged behind the existing hall. “Anorexic classical” is more like it. With their dull, blank white walls, these spaces will be as cold as ice, and utterly discordant with the Frick’s architectural character.

The plans have some positive aspects. It will be wonderful for visitors to climb the original mansion’s grand staircase to the second floor, where Pope converted family quarters into museum offices. These will now be used for the exhibition of small paintings, drawings, and works of decorative art. And the Frick has long emphasized its need for a larger auditorium, better conservation facilities, and better accommodations for school groups. But to degrade the existing house museum would be a terrible mistake.

In 1912, Pittsburgh steel magnate Henry Clay Frick retained Thomas Hastings, whose New York Public Library on Fifth Avenue had just been completed, to design a home extending from 70th Street to 71st Street and facing Central Park. The Paris-trained Hastings was one of the nation’s foremost exponent of French classicism, the museum’s dominant architectural idiom. The home Hastings designed for Frick was a low-slung mansion built of Indiana limestone whose porte-cochère entrance was set back from 70th Street. The mansion’s exquisitely detailed gallery—100 feet long and 35 feet wide, with walls covered in dark green silk velvet and crowned by a segmental glass vault—fronted on 71st Street.