https://edwardcline.blogspot.com/2019/03/the-red-thread.html
There is more blatant corruption, sniveling conspiracy, and underhanded intrigue revealed in Diana West’s new book, The Red Thread, than in the Kevin Spacey version of The House of Cards, which ran on Netflix from 2013 to 2018. The actors behind the attempted coup against Donald Trump, however, are bland, nondescript nonentities and mediocrities — James Comey, John Brennan, Christopher Steele, Nellie and Bruce Ohr, Reinhold Niebuhr (Who!?!!), the Kramer brothers, Bill Browder and his family, and a passel of others, none of them engaging actors, able to credibly project the immorality and villainy of their characters.
None of them is a Frank or Claire Underwood, though their insatiable hunger for power and control is not fictional and their appetite for power nearly cost this country the 2016 election. And the one character in the series I detested the most in House of Cards was Doug Stamper, Frank’s loyal assistant, “researcher,” gofer, arranger, blackmailer, and Mafia-like enforcer.
They don’t exude or broadcast evil or show any tell-tale signs of duplicity, malice, or a drooling unquenchable appetite for power or a penchant for lying and deceit. They’re about as average-looking as anyone you’d have to wait in line behind at a Wal-Mart check-out. We’re not dealing here with Jack-and-the Beanstock monsters, nor with Leviathans or Behemoths. But rather with a swarm of human termites.
The full title of West’s book is The Red Thread: A Search for Ideological Drivers Inside the Anti-Trump Conspiracy. Red Threads could be said to be an overture to West’s other knock-em-flat title, American Betrayal (reviewed by me twice (https://ruleofreason.blogspot.com/2013/06/our-enemy-inside-gates.html
https://edwardcline.blogspot.com/2017/04/our-enemy-inside-gates-revisited.html), is a much longer work that details the rise of Communist influence in the U.S. in the 1930s and during the FDR years.