https://quillette.com/2019/01/26/
In 1955, when a flushing toilet was still considered too offensive for the eyes of the movie-going public, it’s no surprise that a blackly comic novel about sex with children would cause a stir. Enter Vladimir Nabokov’s Lolita, the effusively written story of a 37-year-old literature professor who marries a widow in order to gain access to Lolita, her 12-year-old daughter. The star of Lolita is not Lolita herself, but Humbert Humbert, who hides his obsession with adolescent girls under a mask of tweedy old-world erudition. Humbert uses his position as narrator to lecture the reader on the many noble aspects of adult-on-child romance, and to extol his love for his adopted daughter/concubine. To many, Nabokov remains “the guy who wrote that book about pedophilia.”
Following its publication, Lolita was ignored, and then banned. Britain led the way, confiscating all copies of the novel entering the country, and France followed suit. Only months after its release did Lolita receive its first positive review from a respectable paper, the Sunday Times.
Responding to the Sunday Times, John Gordon, editor of the Sunday Express, spoke for Lolita’s moral critics: “Without doubt it is the filthiest book I have ever read. Sheer unrestrained pornography… Anyone who published it or sold it here would certainly go to prison. I am sure the Sunday Times would approve, even though it abhors censorship as much as I do.”
The first edition of Lolita was printed by Olympia Press, a publishing house where the pornographic bumped elbows with the merely provocative. Nabokov was not the first serious writer to take refuge with the seedy publisher: William S. Burroughs’s Naked Lunch, Samuel Beckett’s Molloy and Robert Kaufman’s exposé Inside Scientology all had their first editions at Olympia. The Olympia imprint, however, did little to improve Lolita’s credibility.
In the 2010s, as hand-wringing over the moral effects of art has grown fashionable once more, Lolita has been subjected to fresh scrutiny. In Russia, an ascendant religious Right has sought to discredit Nabokov as an un-Russian cosmopolitan and purveyor of deviance. The Nabokov Museum in St. Petersburg has suffered particular abuse, ranging from graffiti accusing Nabokov of pedophilia to having vodka bottles containing Bible verses thrown through its windows.