https://www.nationalreview.com/2018/09/movie-review-fahrenheit-11-9-michael-moore-tedious/
Moore shakes his fist, and I yawn.
A few weeks after President Trump was sworn in, Michael Moore announced a one-man Broadway play using the advertising slogan, “Can a Broadway show take down a sitting president?” The answer turned out to be no. So Moore moves on to Fahrenheit 11/9, a two-hour movie in which he compares the World Trade Center attack to the Reichstag fire and plays footage of Hitler over audio of a Trump speech.
It’s the same old Moore we’ve seen for 30 years, except these days hardly anyone cares: Moore is a bit late to the Trump-is-Hitler party. Today he’s just another indistinguishable voice in a crowd of the very shouty, and his admixture of breathless hyperbole, vague calls for revolution, and corny humor has no zing. Every late-night comic is woke these days, and their writers are a lot more talented than Moore. His big cinematic stunt in this film is to take a tank of Flint, Mich., water to the home of the Republican governor, who isn’t present, and spray it over the fence into the yard: Watering the lawn to own the cons.
In Moore’s second anti-Trump movie (if you missed Michael Moore in TrumpLand, which grossed $149,000, you have a lot of company), our host’s analysis of Election 2016 is to suggest that reporters took it easy on Trump during the campaign because Big Media were run by fellow sexual predators such as Matt Lauer, Charlie Rose, Roger Ailes, and Mark Halperin. Moore cites no data, perhaps because even he noticed what actually happened: One study showed 91 percent of network-TV coverage of Trump was negative. The media cheered Trump only through the Republican primaries; then they tried to drag Hillary Clinton across the finish line. The beat reporters covering Clinton were a gang of HRC fangirls who had a collective emotional breakdown when she lost.
Reality-unconstrained conspiracy theories are, of course, Moore’s brand: This is the man who blamed the Columbine massacre on the presence nearby of a company that made rockets used to launch DirecTV satellites, which was the closest Moore could come to saying teen psychosis was caused by the military-industrial complex. This time, judicious as ever, Moore plays footage of the Reichstag fire juxtaposed against audio of news reports of 9/11 including snippets of President George W. Bush’s speeches, then segues into Trump’s call for a ban on Muslims entering the U.S.