This is a story about the appeasement of Islam. To be specific, it’s about appeasement on the part of book publishers. To be even more specific, it’s about a little mom-and-pop operation known as Random House, and a German author named Thilo Sarrazin.
I’m not unfamiliar with Random House. In 2006, Doubleday, a division of that storied firm, published my book While Europe Slept: How Radical Islam Is Destroying the West from Within. Although it sold briskly from the git-go, it was (like many other honest books on the subject) delicately ignored by most of the mainstream media. Nonetheless, it made the New York Times bestseller list and was translated into several languages – and the paperback edition, published by Broadway Books, another Random House subsidiary, continues to sell. In 2009, Doubleday put out my follow-up book, Surrender: Appeasing Islam, Sacrificing Freedom. Whereas While Europe Slept had warned of the dangers attendant upon Islam’s rise in the West, Surrender addressed the growing Western tendency to assuage alleged Muslim sensitivities, largely through censorship and self-censorship: museums were putting away art works that might offend the Prophet’s followers; universities were installing propaganda factories disguised as centers of Middle Eastern Studies; Hollywood, which during World War II had specialized in patriotic cheerleading, was responding to the “War on Terror” with films in which Americans were bad guys and Muslims were victims; and while cops and prosecutors were doing all they could to avoid bringing Muslim malefactors to justice, they were hauling critics of Islam into court for “hate speech.”
As for book publishers – well, let’s not forget that the first big modern example of cultural jihad in the West was the Ayatollah Khomeini’s fatwa against Salman Rushdie, whose novel The Satanic Verses, he thundered, had insulted “Islam, the Prophet of Islam, and the Qur’an.” At the time, that debacle seemed a one-off, and publishers, to their credit, continued to put out books that criticized Islam. The record, however, was not spotless. When Yale University Press, in 2009, released an account of the Danish cartoon crisis, it decided not to include the actual cartoons – a ludicrously cowardly move. Yale wasn’t alone. Over time, it became clear that major presses were becoming more timid on this front: while happy to churn out agitprop by the likes of Karen Armstrong and John Esposito, they were growing increasingly uneasy with blunt truth-telling. Hence more and more writers in this genre have had to put out their books themselves. (In Norway, where I live, one of the top bestsellers of 2015, Hege Storhaug’s Islam: Den 11. landeplage – which will appear in English later this year as Islam: Europe Invaded, America Warned – was self-published.)
