https://www.nationalreview.com/corner/the-truth-about-chinas-persecution-of-falun-gong/
Over a million Uyghurs were incarcerated over the last year, blood-and-DNA-tested, ready for organ-tissue matching.
There is a certain transgressive thrill in pulling the tail of a sacred cow. In that sense, Ms. Tolentino’s piece “Stepping Into the Uncanny, Unsettling World of Shen Yun” (March 19, 2019) is a compliment, a flare in the New York sky that Falun Gong, as a victim group, has finally achieved sacred-cow status. But even tail-pulling has an unwritten etiquette: If I wanted to write a critique of, say, traditional Jewish Passover food, I would stick to things such as the texture of gefilte fish rather than condemning the Seder or questioning the existence of the Holocaust. And I suspect Ms. Tolentino would agree with me.
Ms. Tolentino was essentially writing a critical dance review of Shen Yun Performing Arts while sprinkling a little snark on — in her view — the cornball conventions of Chinese theater and Falun Gong’s suspicious refusal to adopt Western, politically correct norms. Yet her argument suddenly took a weird detour, delivering a skeptical judgement on the charges of Chinese State organ harvesting of Falun Gong (“many experts dispute this”).
Why did she do this? Two reasons: A moment of transgressive pleasure is followed by guilt, and guilt must be answered by justification — perhaps the victim group is not really a sacred cow after all? Or they have brought their suffering upon themselves? (You know, through hypocrisy or not answering her emails or something). The second reason is that even a cursory glance at the credible claims surrounding Chinese organ harvesting will establish that this is not the Holocaust.