https://www.frontpagemag.com/fpm/273504/holy-smoke-bruce-bawer
One thing that jumped out at me, as I watched Notre Dame burn in real time on BBC and Sky News, was the statement of some reporter or commentator or architectural expert that the cathedral could and would be rebuilt, although perhaps the new structure would be “more modern” than the old one. Later that evening, in his speech to the nation, President Macron vowed: “We will make the Cathedral of Notre Dame even more beautiful.”
More modern? More beautiful? My alarm bells went off, and they weren’t fire alarms.
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In November, Sir Roger Scruton was named to a government commission in Britain that, after at least a half century of ugly architecture, is tasked with ensuring that new public housing will be beautiful. Throughout his long and varied career, Sir Roger has had a lot to say about beauty. He has spoken wisely about the connection among the good, the true, and the beautiful, and has strongly opposed those who place beauty on a lower level of importance than goodness and truth. He is one of a relatively small and brave band of cultural critics who have linked the contemporary decline of beauty as a criterion, not just in architecture but also in art, music, and literature, and the accompanying ascent of what can only be called a cult of ugliness, to a broader rise in social and cultural decadence throughout the Western world. Emblematic of that cult of ugliness are such buildings as La Défense and the Pompidou Center. As one after another of these hideous creations went up in recent decades, blighting the skyline of the City of Light, the eight-centuries-old Cathedral of Notre Dame, in the very heart of the French capital, stood as an enduring rebuke to them and everything they represented.