The most popular class at Yale is also being described as the most difficult class at Yale. Yet its professor is lax about checking to see whether assignments have been carried out and encourages students to take it on a pass/fail basis.
Welcome to Happiness 101.
Some 1,200 Yale students, or one-quarter of the student body, are taking Professor Laurie Santos’s class, actually called PSYC 157, or “Psychology and the Good Life.” It’s not only the most popular course today but the most popular one in the 316-year history of Yale College. Santos’s purpose is to provide an antidote to what appears to be an epidemic of stress-related psychic unease on today’s campus, and she has counterparts at other colleges. The course is “a cry for help,” one Yale student said. By all accounts, the frenzy of competition among high-achieving young people is more intense than ever before: From middle school, if not earlier, kids are desperate to beat their peers on the next leg of the rat race. First it’s getting into a top-ranked college, then it’s acing the tests and scoring the internships that lead to either a fabulous first job or admission to a name-brand graduate or professional school.
Students appear to be more stressed out than before: More than half of Yale undergraduates were found to have sought mental-health counseling in a 2013 survey. A national survey four years earlier had discovered that 84 percent felt generally overwhelmed and a quarter were so depressed they said it was difficult to function. This has happened even as universities have been eager to coddle students by, for instance, grading them ever more leniently. “In many departments now, there are in effect only three grades used: A, A-minus, and B-plus,” a Yale report found in 2013. (In WFB’s day, only about the top 10 percent were given A or A-minus marks.) Coursework has changed dramatically also: Students can get away with reading less and watching television more. (Offerings this semester include “Scandinavian Film and TV,” “Trauma in American Film and TV,” and “Hollywood in the Digital Age.”)