The literary editor of The Australian’s weekend Review section is a gifted journalist, but it seems he couldn’t grasp a single key element about Al Gore and climate profiteers if a polar bear fell on him. In an effort to foil an otherwise decent newspaper’s promotion of piffle, here’s a remedial primer
Wollongong University senior lecturer in journalism Dr David Blackall lamented in a recent journal article about the ignorance and bias of journalists reporting on the global warming scare. The Australian is the country’s most rigorous newspaper by far when it comes to climate reporting, its environment reporter, Graham Lloyd, doing a masterful job in covering even-handedly the controversies.
So how and why does The Australian elsewhere make itself a laughing stock as an advocate of climate ignorance? There’s more than enough climate drivel being daily pumped out by the Fairfax press and ABC.[1] So why does The Australian allow itself to sink to the level of addled and withering former broadsheets and the national broadcaster’s taxpayer-funded alarmist collective?
The media’s handling of climate stories is hardly a trivial issue. Britain’s leading alarmist, Lord Stern, is calling for $US90 trillion spending to cut CO2 emissions. In the Third World, the lives of countless millions of peasants will remain nasty, unhealthy and short as we deny them the life-giving benefits of cheap, coal-fired power. In Australia, as Liberal MHR Craig Kelly correctly points out, some among the elderly poor will die from the cold because they can’t afford to pay their power bills.
Turn now to the most recent Weekend Australian and its arty insert Review section.
Suppose a section editor at the News Corp publication wrote that Hitler invaded Poland in 1959, D-Day took place in June, 1964, and Hitler hanged himself in his bunker in 1965. Surely someone, whether a junior sub or a top-level manager, would notice at proof stage and prevent such gross ignorance being published? No such supervision occurred last Saturday, when an equivalent howler on climate made it into print.
The matter was under the by-line of Stephen Romei, literary editor, who only a fortnight earlier was encouraging his book reviewer Claire Corbett to froth that
“for the average person in the affluent West, soft drinks pose a far deadlier threat than terrorists.”
This time it was Romei himself who bent a shoulder to the wheel of ignorance in his review of Al Gore’s latest scare film, An Inconvenient Sequel, writes in his second paragraph, “Perhaps this film will, like its 1986 predecessor, An Inconvenient Truth, be a slow-burner. Made for $US15 million, that film made $US50m, won an Oscar and delivered Gore the Nobel Peace Prize…”
As anyone even slightly acquainted with the climate debate would know, Gore’s first film was not released in 1986 but 20 years later, in 2006. A typo on the date would be forgivable, but date typos don’t involve three wrong digits out of four. Note also that, within a single sentence, he peddles a second error. No-one “delivered” to Gore “the Nobel Peace Prize”. That 2007 award was shared 50:50 between Gore and the IPCC as an institution.
That mistake is not a hanging offence – shared winners of (genuine) Nobel Prizes typically ignore the “shared” element.[2] But in context, Romei is writing like a Gore fan-boy who can’t be bothered googling the facts.
Romei is actually proud of his ignorance of the climate debate. “I’m not going to pretend to know how right or wrong Gore is about climate change,” he writes. So why is he reviewing the film rather than giving the job, ideally, to a pair of expert reviewers with opposing viewpoints? Immediately, in self-contradiction, Romei then announces that Gore’s new film is “not a polemic, not a rant, not dominated by political dogma or personal anger.”
A conscientious reviewer would at least have revisited Gore’s 2006 Inconvenient Truth, which was indeed a polemic, a rant, and dominated by political dogma, not to mention its progenitor’s commercial interests and profit making imperatives. Look up the judgement of Burton J. in the UK High Court. His Worship noted nine significant errors, including Gore’s utter nonsense that Pacific Island populations had been evacuated to NZ to escape their drowning isles. Because UK school education must eschew political propaganda (our Australian school system offers no such safeguards), the judge ordered the film not be shown to UK children without the teacher first alerting them to the film’s mistakes and its “partisan political views” of a “one-sided” nature.
Gore’s snake-oil ethics were such that he never re-edited to correct the film’s errors or issued his own errata. Australian teachers have continued to screen its error-laden propaganda to their captive audiences of millions of Australian children.