By the end of the new film “Trumbo,” there is the feeling that restitution has been made to the blacklisted writer whose career was relegated to writing scripts signed by noms de plume, or more appropriately, noms de guerre. Trumbo’s name appears triumphantly as the screenwriter of “Spartacus” and “Exodus” and Hollywood and the world know that it is his craftsmanship that won the two previous Oscars for “Roman Holiday” and “The Brave Bull.” Though we see the toll that the blacklist has taken on the lives of many people in the industry, we also see that the “evil forces” of HUAC and the anti-communist witch-hunters of the private sector have been defeated and freedom of speech and the sanctity of individual rights have triumphed.
This movie was released during the same week as the protests at the University of Missouri resulted in the resignation of the president, the chancellor and the football coach. Their crimes were far less egregious than govt subpoenas to self-incriminate and name other names. At Missouri and other colleges across the country, we are now dealing with issues of micro-aggression, insensitivity, hurt feelings and the black student demand for higher black faculty quotas. One student complained about the discrimination she felt when her roommate asked questions regarding her hairstyle and what products she used. The issue of Halloween costurmes such as Mexican sombreros and ponchos received the attention of Yale administrators who cautioned students to be mindful of ethnic sensibilities. A professor’s article calling for more levity and free expression for this holiday was met with calls for her dismissal. These newly heightened sensibilities have been responsible for craven administrative cancellations of speakers on campus or total disruption of the event if an undesirable speaker shows up.