Displaying posts categorized under

MEDIA

Legacy Media Fall Silent On Bombshell Report Showing Joe Biden Lied About Knowledge Of Son’s Foreign Business By Tristan Justice

http://Legacy Media Fall Silent On Bombshell Report Showing Joe Biden Lied About Knowledge Of Son’s Foreign Business By Tristan Justice

Any time a legacy paper drops what they call a “bombshell” report on President Donald Trump, one can safely bet it will end up on the front page of every outlet immediately upon publication.

It happened with the Woodward tapes, where the Watergate journalist uncovered comments the president had been making for months. It happened with a report in the Atlantic, where the magazine published a hit piece based solely on anonymous sources making claims only to be contradicted by more than a dozen current and former White House staff, including fired National Security Advisor John Bolton. And it happened with every minor new detail to emerge in the mainstream media’s Russiagate narrative seeking to indict the president as a Russian agent.

When the New York Post dropped an actual bombshell report on Wednesday morning however, exposing that 2020 Democratic presidential nominee repeatedly lied about what he knew of his son’s potentially criminal overseas business activity, legacy outlets so eager to publish incriminating content on the Trump White House have gone silent.

Emails obtained by the Post show correspondence between Hunter Biden and Vadym Pozharskyi, a Ukrainian advisor to Biden’s energy firm Burisma show that contrary to Joe Biden’s claims that he never talked business with his son “or with anyone else,” the vice president at the time was indeed introduced to Pozharskyi by Hunter. Hunter Biden was raking in upwards of $50,000 a month in excess compensation for serving on the board of Burisma while his father served as the “public face” of White House policy towards Ukraine.

THE 1619 CHRONICLES Bret Stephens *****

https://mailchi.mp/30f104131355/krd-new-bret-stephens-the-1619-chronicles?e=936

Bret Stephens takes on his own paper’s “1619 Project” in glorious form, exposing the many falsehoods and problems with it. Bravo! KRD

If there’s one word admirers and critics alike can agree on when it comes to The New York Times’s award-winning 1619 Project, it’s ambition. Ambition to reframe America’s conversation about race. Ambition to reframe our understanding of history. Ambition to move from news pages to classrooms. Ambition to move from scholarly debate to national consciousness.

In some ways, this ambition succeeded. The 1619 Project introduced a date, previously obscure to most Americans, that ought always to have been thought of as seminal — and probably now will. It offered fresh reminders of the extent to which Black freedom was a victory gained by courageous Black Americans, and not just a gift obtained from benevolent whites.

It showed, in a stunning photo essay, the places where human beings were once bought and sold as slaves — neglected scenes of American infamy. It illuminated the extent to which so much of what makes America great, including some of our uniquely American understandings of liberty and equality, is unthinkable without the struggle of Black Americans, as well as the extent to which so much of what continues to bedevil us is the result of centuries of racism.

And, in a point missed by many of the 1619 Project’s critics, it does not reject American values. As Nikole Hannah-Jones, its creator and leading voice, concluded in her essay for the project, “I wish, now, that I could go back to the younger me and tell her that her people’s ancestry started here, on these lands, and to boldly, proudly, draw the stars and those stripes of the American flag.” It’s an unabashedly patriotic thought.

Don’t Let the Media Win This Election By Frank Miele

https://www.realclearpolitics.com/articles/2020/10/12/dont_let_the_media_win_this_election.html

“It is hard for anyone who is not chained to a rock to fathom how millions of people can accept the anti-Trump narrative that is projected 24/7 from the studios of CNN, MSNBC, CBS, NBC and the rest. Don’t these millions of people — these “likely voters,” according to multiple polls — have any perspective?”

The mainstream media have always skewed left in the modern era, but that didn’t mean they were parasitic vampires who fed on the misfortune of others. When Ronald Reagan — the most conservative modern president  elected prior to Donald Trump — was wounded by a would-be assassin’s bullet in 1981, the media reported the event as a matter of national and historic significance. There was no glee and no speculation about President Reagan’s karmic responsibility for his near-death experience.

As a young liberal myself then, I experienced the horror of seeing our president shot on camera and the joy of seeing our president and his wife, Nancy, wave from the window of his hospital room several days later. The shooting was a moment of unifying grief, and the rapid recovery was a moment of triumph, not just for President Reagan, but for our people as a whole. Politics be damned.

Fast-forward four decades. Welcome to “Twilight of the Media: The Week of the Vampires.” When Donald Trump revealed that he had tested positive for coronavirus, the media spoke with almost one voice: Trump got what he deserved. That was the beginning of a week that represents what one can only hope is the low point in media distortion and Fake News, but may also justifiably be described as “situation normal.” It certainly made clear to me and many others what is at stake on Nov. 3.

Are COVID Case Surges More Fake News? By Brian C. Joondeph, M.D.

https://www.americanthinker.com/articles/2020/10/are_covid_case_surges_more_fake_news.html

Thousands of diagnoses and not many dying.

COVID cases are on the rise, or so we are told daily by a hysterical media. Newspaper headlines scream panic as this recent USAToday article proclaimed, “COVID-19 cases rising in 39 states – 9 months into the pandemic: We are overwhelmed.”

It’s the American people that are overwhelmed. Nine months into masks and lockdowns, with a presidential election just weeks away, facing a daily barrage of doom and gloom from the media. Are cases really on the rise or are these simply positive tests?

The above article, one of many warns, “A startling nine states setting ominous, seven-day records for infections.” 39 states reported more cases in the last week than they had in the week before.

What exactly is a “case”? The USAToday article doesn’t say. Neither do other articles or cable news doctors and other “experts.” Is a “case” simply a positive test?

The CDC answers this question with a “case definition.” A case is not just a positive test. Instead what is needed is, “Presumptive laboratory evidence AND either clinical criteria OR epidemiologic evidence.” Notice the AND, meaning not simply a positive test.

Yet what the media trumpets as “surging cases” are only positive tests. There is no discussion of whether or not any of the individuals with positive tests are showing symptoms or are actually sick with the Chinese flu. Or if they are contagious and needing to be quarantined.

Trump-Hating Journalists Write Fiction, Not News Itxu Diaz *****

https://spectator.org/trump-hating-journalists-write-fiction-not-news/

Hardly any journalists get scoops anymore because almost everybody already knows everything. A couple of afternoons ago, in the fruit shop, the lady who has worked there for as long as I can remember greeted me with arched eyebrows and arms locked in pre-election campaign position: “So you’re the one who writes all these fascist articles?” My answer was almost as stupid as her question: “Give me six ripe tomatoes too, if you please.” Information travels faster than my reflexes. And I’m starting to get used to the idea of journalists storming into newsrooms, sweating, bursting with some big exclusive, only to sit down, start writing it up, and discover, crushed, that someone has already been dancing to it for three days on TikToc.
 

The era of the journalism we saw in The Front Page has passed. Walter Burns was a scoundrel, but at least he did it to sell newspapers. These days, the most exciting thing that comes out of any of those old newspaper offices is the tweet of an intern who has published some personal obscenity by mistake on the newspaper’s Twitter feed. And the worst thing is that most of the followers won’t notice the difference. Without a doubt, authorial and analytical journalism is an honorable and pertinent way out of the eternal crisis that long ago left our business looking like Wile E. Coyote, right after the stick of dynamite went off in his face.

Unfortunately, not all the press has chosen to find an honorable way out. I’ve discovered these days, with certain surprise, that fiction-journalism is back, although in a much more tedious version. No, it is not the gonzo journalism of the great Hunter S. Thompson. For that you need talent. No, this is prophetical news. We didn’t see that coming. I would never have imagined that this prolonged crisis of journalism would lead to the horoscopes jumping out of the back pages onto the very front page. The new section chiefs will be witches!

A New York Times Columnist Wish-Casts Foreign Intervention into U.S. Elections By David Harsanyi

https://www.nationalreview.com/2020/10/new-york-times-columnist-wish-casts-foreign-intervention-in-u-s-elections/

Among the countries he’d invite to interfere in our elections: Pakistan, Somalia, and Venezuela.

Peter Beinart, the newly minted contributing New York Times columnist, recently argued in an op-ed at the paper that Israel should be dissolved, its inhabitants thrown to the mercy of terror organizations such as Hamas and the PLO. Apparently, he has something comparable in mind for the United States.

Calling on the past examples of racist authoritarian Woodrow Wilson, the unapologetic Communist Paul Robeson, Malcom X, Black Panthers, and others, Beinart contends that Democrats might have to summon the U.N. Human Rights Council, a world body teeming with dictators and theocrats, to intervene in what he imagines is America’s “chronic racist disenfranchisement.” Alas, this is the kind of feverish wish-casting that passes for intellectual discourse these days.Here is a sampling of nations Beinart believes should be tasked with overseeing the impartiality of American elections (in no particular order of nefariousness): Burkina Faso, Cameroon, Eritrea, Somalia, Bangladesh, Philippines, Angola, the Congo, Ukraine, Nigeria, Afghanistan, Venezuela, Qatar, and Pakistan.

Russia and China, incidentally, will be added as new members of the U.N. Human Rights Council for the next term, just in time to arbitrate the American election. Or, in other words, Beinart argues that we have a moral obligation to ask the Russians to interfere in the American election — and not through some puerile Facebook ads but as empowered observers here at the bequest of the Democratic Party’s leadership.

Is It Possible to Curb the Extreme Bias of the BBC? By Dr. Manfred Gerstenfeld

https://besacenter.org/perspectives-papers/bbc-bias-israel/

For decades, there has been a steady stream of complaints about the BBC’s anti-Israel bias. Yet other than criticize the BBC publicly, there was little anyone could do. That may have changed. In June 2020, Tim Davie became the BBC’s new director general. He wants to make the BBC’s reporting impartial. This would be a good occasion for the publication of the secret 2004 Malcolm Balen report about BBC reporting on the Israeli-Palestinian conflict.

Former Israeli ambassador to the UK Zvi Shtauber told me in an interview in 2005:

The BBC is a problem in itself. Over the years I had endless conversations with them. Any viewer who looks at the BBC’s information on Israel for a consistent period gets a distorted picture. It doesn’t result from a single broadcast here or there. It derives from the BBC’s method of broadcasting. When reporting from Israel, the mosque on the Temple Mount is usually shown in the background, which gives viewers the impression that Jerusalem is predominantly Muslim.

Shtauber summed up his remarks by saying it was almost a daily task for him to react to BBC distortions about Israel.

There has been a steady stream of complaints for decades about the BBC’s anti-Israel bias—more than enough to fill a book. Camera UK maintains a special monitoring site solely to focus on the BBC’s anti-Israel bias.

Here are a few recent examples. Senior BBC producer Rosie Garthwaite is working on a new documentary critical of Israeli actions in East Jerusalem. She has admitted to sharing inaccurate pro-Palestinian propaganda on social media. She deleted a false map from her personal Twitter account that greatly overstated alleged Palestinian land loss to Israel, and she has been accused of sharing other false or controversial claims about Israel on social media. Garthwaite has wrongly suggested that Gaza has only one border, and that that sole border is controlled by Israel. This is just a sampling of her anti-Israel propaganda.

Letter Calls for Withdrawal of ‘1619 Project’ Pulitzer By Stanley Kurtz

https://www.nationalreview.com/corner/letter-calls-for-withdrawal-of-1619-project-pulitzer/

An open letter released today and signed by 21 scholars and public writers calls on the Pulitzer Prize Board to rescind the Prize for Commentary awarded to Nikole Hannah-Jones for her lead essay in “The 1619 Project.” The letter is posted at the website of the National Association of Scholars here. (I am one of the signatories.)

The letter revisits the sorry tale of the 1619 Project’s errors and distortions and invokes these in calling for the revocation of the prize. The recent revelations that The New York Times stealthily edited out the signature claim of the project—that the advent of slavery in the year 1619 constitutes our country’s “true founding”—were, however, the immediate occasion for this letter. As Phillip Magness (another signatory) has shown, Nikole Hannah-Jones has several times denied ever claiming that 1619 was our true founding, although in fact she has made this latter claim repeatedly.

These actions on the part of both the Times and Hannah-Jones are profoundly irresponsible and disturbing. How can we explain them?

Jonah Goldberg has suggested that the Times may have undertaken its stealth edits, “out of a partisan desire to deny Donald Trump and his fans a talking point.” There is some evidence in support of this suggestion.  As Wilfred McClay (another signatory) notes in Commentary Magazine, leaked transcripts of internal meetings at the Times suggest that the 1619 Project may have been part of a strategy designed to help elect a Democratic president by highlighting America’s (allegedly) endemic racism. Not long after President Trump effectively made American history a campaign issue in his Mt. Rushmore address this July, Hannah-Jones began to deny that she or the 1619 Project had ever asserted that the year 1619 was America’s “true founding,” citing the stealthily edited text of the project as evidence. (See especially the exchange with Ben Shapiro here.) The Hannah-Jones interview on CNN that helped kick off the controversy over the stealth edits took place the day after President Trump attacked the 1619 Project in his address to the White House Conference on American History. This suggests that Hannah-Jones was willing to jettison the most notable claim of her project—even to the extent of denying that she had ever made it—once that claim began to seem like a campaign liability.

Pulitzer Board Must Revoke Nikole Hannah-Jones’ Prize Peter Wood

https://www.nas.org/blogs/article/pulitzer-board-must-revoke-nikole-hannah-jones-prize

The National Association of Scholars has agreed to host this public letter to the Pulitzer Prize Board. The letter calls on the Board to rescind the prize it awarded to Nikole Hannah-Jones earlier this year. I am one of the 21 signatories.  A hard copy has been mailed to the Pulitzer Committee as well as a digital copy.

—Peter Wood, President, National Association of Scholars

We call on the Pulitzer Prize Board to rescind the 2020 Prize for Commentary awarded to Nikole Hannah-Jones for her lead essay in “The 1619 Project.” That essay was entitled, “Our democracy’s founding ideals were false when they were written.” But it turns out the article itself was false when written, making a large claim that protecting the institution of slavery was a primary motive for the American Revolution, a claim for which there is simply no evidence.

We call on the Pulitzer Prize Board to rescind the 2020 Prize for Commentary awarded to Nikole Hannah-Jones for her lead essay in “The 1619 Project.”

When the Board announced the prize on May 4, 2020, it praised Hannah-Jones for “a sweeping, deeply reported and personal essay for the ground-breaking 1619 Project, which seeks to place the enslavement of Africans at the center of America’s story, prompting public conversation about the nation’s founding and evolution.” Note well the last five words. Clearly the award was meant not merely to honor this one isolated essay, but the Project as a whole, with its framing contention that the year 1619, the date when some twenty Africans arrived at Jamestown, ought to be regarded as the nation’s “true founding,” supplanting the long-honored date of July 4, 1776, which marked the emergence of the United States as an independent nation.

Don’t Believe Anything ‘Sources’ Say David Solway

https://pjmedia.com/columns/david-solway-2/2020/10/05/dont-believe-anything-sources-say-n1003461

As every sentient person knows by now, our mainstream media and Big Tech platforms are limitlessly corrupt. Almost nothing they say, report or interpret can be trusted. They have become mouthpieces for the political Left, resonating bullhorns for the Democratic Party, the “social justice” insurgency, the feminist movement, domestic terrorists like Antifa and BLM, and the concerted effort to vilify and destroy the sitting American president.

A dead giveaway of their malignant agenda is the customary reliance on the “expert,” the “insider,” a someone-in-the-know code-named as “a source” or, more explicitly, “an unnamed source.” The phenomenon is so ubiquitous that it scarcely needs even a jot of documentation. Just pick up The New York Times or The Washington Post et al., scan any number of Internet sites, or watch CNN, MSNBC and the rest of that morbid crew, and you will meet the unnamed source at every turn.

Once there was a good reason for anonymity: the identity of the source needed to be protected for reasons of his or her safety as well as to ensure the continued flow of information. Such is now rarely the case. The source is unnamed because it has no name, it does not exist except in the bureau of missing persons known as the editorial office. The source is a disembodied figment that can be found nowhere but in the journalistic toolkit. In effect, whenever the reader or viewer comes across a newspaper article or visual report citing “a source,” a red flag should immediately pop up alerting us that we are dealing with a malevolent ghost now haunting the media, aka the house of lies.