Yes, Oscar wears a burqa.
“O Prophet! Say to your wives and your daughters and the women of the faithful to draw their outer garments close around themselves; that is better that they will be recognized and not annoyed. And God is ever Forgiving, Gentle.”
— Qur’an, Surah 33 (Al-Ahzab), Verse 59
The Hollywood version of that Islamic winding sheet hides the true soul of Hollywood. Nay, disguises it. Big screens and TV screens are no longer venues of “entertainment” but places of subtle brainwashing, or subliminal auto suggestion. Hollywood would never admit it. It wears a burqa to deter recognition and annoyance by anyone who questions the identity of the entity it sheathes. And what is it that Hollywood wishes to hide, lest its audiences flee from the theater as though someone had shouted “Fire!”
This column begins with a shoot-down of the latest TV offering of Hollywood in Sharia compliant, anti-American cinematography, featured on Fox News.
‘Incorporated’ canceled By Oriana Schwindt
Published February 27, 2017
Syfy won’t be ordering another season of thriller “Incorporated,” Variety has confirmed.
The news comes a little more than a month after “Incorporated” finished its first season on the NBCU cable network. Deadline first reported the cancelation.
“Incorporated” came from executive producers Matt Damon, Ben Affleck,
Set in a future where corporations have unlimited power, “Incorporated” revolved around Ben Larson (Sean Teale, “Reign”), a young executive who concealed his true identity to infiltrate a very dangerous corporate world to save the woman he loves and quickly found he wasn’t the only one in this world with a secret. Dennis Haysbert, who just booked a lead role in NBC’s pilot “Reverie,” also starred, along with Julia Ormond and Eddie Ramos.
The series debuted to mostly positive reviews. “‘Incorporated‘ is an energetic and watchable science-fiction thriller that posits that a climate apocalypse will be followed by a swift division of survivors into haves and have-nots — all by the year 2074,” Variety‘s Maureen Ryan wrote. “Right now, that date feels like a somewhat optimistic estimate.”
Echoes of H.G. Wells’s The Time Machine (1895) in which the Time Traveler journeys almost a million years into the future to discover the Eloi (the upper crust, the “elite,” the “beautiful” people) and the subterranean, hideous, subhuman Morlocks, who support the Eloi and then cannibalize them.
“Same ole, same ole”: bad corporations take over world, in echoes of “Rollerball” and “Soylent Green” and other science fiction apocalyptic movies, in which corporations impoverish everyone in the world, in conjunction with the “greenhouse effect,” but whose executives live the high life and wield power. No imagination. Hollywood is obsessed with smearing business and even technology. This mindset dates back to Fabian Socialist author H.G. Wells’s “When the Sleeper Awakes,” (1899, revised 1910) and Fritz Lang’s film “Metropolis,“ (1927) and “Looking Backward: 2000-1887” (1888) by Edward Ballamy, a 19th century Progressive.