https://www.nysun.com/article/a-midge-decter-sampler?utm_content=The%20Evening%20Sun%3A%20Taliban%20
Following is a sampler of writing by Midge Decter, who died Monday at the age of 94:
— from “Belittling Sholom Aleichem’s Jews,” Commentary, 1954:
“The truth is that ghetto Jewry was not pleased with itself at all. If it could be humorous, that was because it was sitting on a keg of spiritual dynamite and had no other way to protect itself against the big explosion. American Jews can afford to be pleased by the ghetto. Time and distance and indifference have settled most of its conflicts for us. And even we can only enjoy the ghetto by retroactively making of it something it was not quite: a new Jewish folk tradition.”
— from “A Commentary Report: Women at Work,” Commentary, 1961:
“The question of why it is that the American women can find it preferable to do any amount of routine drudgery on some assembly line or behind some sales counter rather than involve herself in all the physical details of caring for her husband and children has become a matter of grave concern to observers of American society — and even to herself. For her new pattern of living is undoubtedly plunging this country into a domestic crisis of major proportions, from which it will emerge with a good number of traditional family arrangements no longer intact.”
— from “The Strangely Polite ‘Dr. Strangelove,’” Commentary, 1964:
“‘Dr. Strangelove’ makes no overt political gestures in the end, but it does make a few covert ones. Indeed, for a work that so obviously regards itself, and that has been so readily taken, as a radical disruption of the going complacencies, ‘Dr. Strangelove’ is strangely polite in its choice of enemies: Jack D. Ripper is not only crazy, he is right-wing crazy; Buck Turgidson is not only sappy, he is sappy on the side of established military power; and the mad scientist, Dr. Strangelove, is a Nazi. No liberals are ridiculed in this ‘anarchic’ movie, unless one considers President Muffley a liberal, and even then he comes off relatively well. Nor was Kubrick quite daring enough to have risked portraying his nuclear strategist as a Jew — not a Nazi, but a refugee, in fact, from Hitler, as so many real-life nuclear strategists are.”