https://www.spiked-online.com/2025/01/05/who-really-started-americas-culture-war/
Over the past few years, Western elites have attempted to present the culture war as the work of right-wing agitators. Establishment politicians, pundits and academics claim that it’s the socially conservative who are fuelling today’s cultural conflicts for their own political gain. As one New York Times columnist argued, the likes of Donald Trump have been attacking trans ideology or critical race theory in order to scare and mobilise their voters.
Richard Slotkin’s critically acclaimed A Great Disorder: National Myth and the Battle for America aims to go beyond this simplistic view. He tries to provide historical context and an explanation for the culture war now raging in the US. To this end, he attempts to root today’s cultural conflicts in competing national myths, each of which present a ‘different understanding of who counts as American, a different reading of American history and a different vision of what our future ought to be’.
These myths include the myth of the frontier (or the myth of the American west) and two myths around the Civil War – namely, that of emancipation and that of the ‘lost cause’. Of these myths, Slotkin objects most to the myth of the lost cause. This, he argues, presents the Confederacy’s role as a noble but vain attempt to maintain a virtuous way of life, rather than an attempt to preserve the institution of slavery. To these myths, Slotkin adds the myth of the ‘good war’ and the myth of ‘the movement’, a reference to the civil-rights activism of the mid-20th century. The aim of all this is to show how these different national stories continue to provide the resources on which political actors today still draw.
There’s no doubting the ambition of A Great Disorder. But like most liberal-ish American academics writing about the culture war, Slotkin shares the elite view that these conflicts are ultimately the invention of right-wing conservative activists. In effect, A Great Disorder absolves leftists and ‘progressives’ of any responsibility for the cultural battles being fought in our midst.