https://www.frontpagemag.com/fpm/2021/03/seth-simons-comedy-cop-
Stand-up comedians used to have a simple rule: no subject is off-limits if the joke is funny. It was a good rule, and it made for some great comedy. The rise of the woke left represents an existential threat to that rule, and to good comedy generally. When it comes to comedy, indeed, the mantra, increasingly, is that any gag that might conceivably offend anyone, especially someone belonging to what the woke left considers a victim group, should simply not be tolerated – period. To an alarming extent, this comedy-killing mentality has been institutionalized at outfits like Netflix and Comedy Central, at some comedy clubs, and in the mainstream media generally. So it is that the comics who are most honored in such circles are dreary scolds like the Tasmanian lesbian Hannah Gadsby, whose acts are light on actual humor and heavy on identity politics. You don’t hear a lot of laughter from these people’s audiences, but you hear plenty of applause – the audience’s way of indicating approval of the comic’s values.
In this toxic atmosphere, comedians who still adhere to the no-subject-off-limits rule are rare, and the best ones – my own list would include Dave Attell, Nick DiPaolo, Jim Norton, and Doug Stanhope – seem increasingly precious. Thanks to them, at least some comedy shows are free-speech oases, keeping First Amendment values alive in the face of aggressive leftist humorlessness. But since the leftist instinct is always to censor opponents, not debate them, these top-drawer comics are an endangered species – booed by PC audiences, banned by timid club owners, and given short shrift by TV executives who are all too ready to sign up the unfunny likes of Amy Schumer, Samantha Bee, or Patton Oswalt, whose “comedy” consist salmost entirely of virtue signaling.
As if the situation weren’t bad enough, certain individuals have appointed themselves as comedy police.