https://www.americanthinker.com/articles/2020/10/cultural_amnesia_and_american_survival.html
Clive James’s 2007 book titled Cultural Amnesia: Necessary Memories from History and the Arts is a collection of artists and thinkers. They are largely concerned with responses to “threats against freedom, mostly in the 20th century.”
As I leaf through it, I am astonished at the echoes of my own qualms as this country stands on the precipice of either remaining free or not. I see Democrats and leftists invoking Nazism to describe conservatives in America, and I am reminded of Jean-François Revel’s words that “one insults the memory of the victims of Nazism if one uses them to bury the memory of the victims of communism.” As leftists carelessly invoke Nazis to label “deplorables,” they totally disregard the evil of communism.
Instead, the left and Democrats work assiduously to transform America into a socialist/communist country notwithstanding the millions who perished in communist countries and who continue to suffer even today. It is vital to recall that in only ten years, Venezuela was irrevocably destroyed by socialism. Yet Venezuela was once richer than China and Japan, and its currency was second only to the United States. Moreover, Venezuela had an excellent health system. No longer!
Moreover, Khmer Rouge (1975–1979) torturers had Western apologists in their corner who patently ignored the hideous torture, and as a result, “of 17,000 people who were interrogated in the S-21 camp in Phnom Penh, 16,994 died in agony.”
While we are thankfully not at the level of the aforementioned groups, each time a picture of the Portland destruction and the people who gleefully beat and murder innocent people is shown, one is hard pressed not to see Brown Shirts operating with total license in Oregon.
Terry Gilliam, film director, is one of the artists featured in Cultural Amnesia. His film Brazil is considered “one of the greatest political films,” wherein the “torture surgery contributes one of the most brain-curdling of the film’s many disturbing themes.” He writes about “how the author of a state that rules by terror can detach himself from the brute facts.” Whether it was Juan Perón or Hitler or the Soviet system or the Japanese army of the 20th century, the “organs” of power “were always, at the brute force level, staffed by otherwise unemployable dimwits.”