https://quadrant.org.au/magazine/2023/12/come-and-see/
Alan G. Futerman and Walter E. Block are the co-authors of The Classical Liberal Case for Israel (published by Springer in 2021, with commentary by Benjamin Netanyahu).
The horrors of the Holocaust, particularly those involving the mass murder process itself, are impossible to conceive. We may read documents, watch documentary films, listen to survivors, learn its history, and visit concentration camps and museums. But we cannot perceive them.
Certain films, though, allow us access to the closest kind of experience we could expect. They permit us, in a sense, to see from within. One of these films is Son of Saul (2015). There is another one, set during the Nazi Blitzkrieg on Byelorussia that left 25 per cent of the country’s population killed. This is a Soviet film, released in 1985 and directed by Elem Klimov. Its name is Come and See.
This film, a true masterpiece, not only shows with excruciating detail the unbearable degree of Nazi destruction, but something more, something that is essential to the phenomenon of mass murder. In one scene, we follow Flyora (the main character, superbly interpreted by Aleksei Kravchenko) while he witnesses the extermination of an entire village. In that scene, we can see a hell that is difficult to put into words. The Einsatzgruppen and their collaborators sardonically laugh at the villagers, sadistically mock them and maniacally sneer at them, while they herd them to be burned inside a church. No one is spared, children, elderly, women. There is no escape, no logic, no reason. In an immortal scene, a group of Nazis take a picture with Flyora while one of them points a gun to his head. The surreal scene captures well that this event seems from another dimension, although it is placed on Earth.
So, what is it that the film portrays that is so special? It shows that, although this horror is performed by humans, it does not belong to humanity as such. That is, it consists of a fundamental intent of changing human nature—a departure from humanity. It is a systematic, premeditated intent to inflict the cruellest forms of sadistic destruction under the disguise of a rational system. In the film, this is implied by some of the phrases that are said through the speakers before the Nazi massacre occurs: “Germany is a cultured country.”
What happened on October 7, 2023, in Israel is an instance of this specific phenomenon. Of course, the Holocaust is an event of such scale and horror in history that cannot be compared. But the essential factor, the subversion of humanity mentioned above in conjunction with the most maniacal Jew-hatred, did take place.
According to what captured Hamas assassins themselves have confessed, they were told that they could do with Jews whatever they wanted. They could kill, rape, burn, destroy. Moreover, it was their duty to do just that.