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To see the real Nureyev, a magnificent dancer see the utubes https://www.youtube.com/watch?v=fHD6Ly0oYpA rsk
A film about the greatest male dancer of his generation should convey at the very least the speed and perfection for which he was known. Unfortunately, The White Crow, a biopic of Rudolph Nureyev, is too often a static production with too little depiction of the dancer in an extended ballet sequence and too much mooning at his yearning or irritable face – the default expressions the director has chosen to emphasize . We see short scenes of the dancer’s talented leaps and twirls and too many scenes of his petulant tantrums which become increasingly annoying with each escalation.
The film leads up to and ends with his request for political asylum in Paris and we see little of his great international successes in America and Europe, nor does the script by David Hare take us up to his tragic death from AIDS.