https://www.nationalreview.com/2019/04/the-lehman-trilogy-contemporary-stage-masterpiece/
In New York, Sam Mendes directs a gripping play about faith, family & capitalism.
A man in a sharp suit and dress shoes walks a tightrope between two skyscrapers against the New York City skyline. A silhouette – unmistakable – of the Empire State Building can be seen in the distance.
This is the image promoting The Lehman Trilogy, a gripping three-and-a-half-hour play (including intermissions) currently showing at New York’s Park Avenue Armory, which tells the story of the Lehman family and the collapse of their investment-banking firm, Lehman Brothers, precipitated by the 2008 global financial crisis.
The story begins in 1844, when Hayum Lehmann (soon to be called “Henry Lehman”), the son of a Bavarian cattle merchant, arrived at New York Harbor and set up camp in Montgomery, Ala., soon to be joined by his brothers Emanuel and Mayer. From Eastern Europe to the Deep South to New York City; from cotton to coffee to pure investment banking; from the Civil War to the Great Depression to the 2008 crash – The Lehman Trilogy is a story of immigrants, showcasing American success and Jewish resilience.
Written by Stefano Massini, an Italian playwright, the play was translated from Italian by Mirella Cheeseman and adapted by Ben Power. At the Park Armory, it is brought to life by the National Theatre and Neal Street Productions. Sam Mendes directs Adam Godley, Ben Miles, and Simon Russell Beale – three fine actors – and the result is close to perfection.