https://www.nationalreview.com/2019/02/oscars-2019-academy-awards-fakes-history-remakes-new/
When it comes to movies, the Oscars are one way of learning history. Students of film can peruse the annals to gather a sense of what movie culture was like in different periods, reading the list of winners (and nominations) as a guide to cultural standards and film-industry norms.
But journalists — those who cover the entertainment beat as well as the Beltway — abuse the historical function of the Oscars by routinely hijacking its significance. Specifically, when Ruth E. Carter and Hannah Beachler won Academy Awards for, respectively, the costumes and art direction of Black Panther, many media wonks (professional and amateur alike) immediately proclaimed that they had “made history as the first African-American women to win” in those categories.
What kind of “history” is this really? When the reporting of news events carries such automatic estimation of cultural value, the term “first” is used as manipulation, a measuring rod of social progress.
This makes the political idea of “progress” more important than the subject being reported. Carter’s and Beachler’s work goes undescribed; their personal histories as people are delimited to the social-justice categories of race and gender. First-semester journalism classes used to teach that mentioning a person’s race or gender was appropriate only when it was essential to the news.