https://www.americanthinker.com/blog/2018/06/death_of_susanna_antisemitism_never_goes_away.html
Having recently visited the Jewish Museum in New York City, I learned of a series of paper engravings titled “In the Eruv of Theresienstadt.”
In their diabolical way, the Nazis fooled the world concerning the ghastly concentration and extermination camps. During World War II, “small bits of information about the extreme and horrific episodes perpetrated under the Third Reich reached an unbelieving world. The Nazis needed to answer the world’s growing concern, yet they wanted to continue implementing their final solution” of exterminating the Jewish people. So the “Nazis decided to use Theresienstadt to solve the growing outside pressure. Through deceit and subterfuge, the Nazis transformed Theresienstadt into a model ghetto.”
Those who survived the horrors of the Holocaust remembered. Fritz Lederer (1878-1949), who was trained at the Weimar Academy of Fine Arts, “designed sets for theater productions in Theresienstadt” – yet another incongruity. After the war, though, he created “oppressive scenes of the camp, including the ‘The Eastern Fortress,’ ‘The Only Exit from Eruv,’ and the ‘Little Fortress’ depicting the prison where many inmates were tortured and murdered.”
The term eruv refers to the symbolic boundary established in some Jewish communities, demarcating a space considered the shared private property of all members, within which certain practices normally forbidden on the Sabbath may be performed. Lederer’s use of the term eruv in the context of Theresienstadt is laced with irony. The only way out of this eruv was by death or deportation to an extermination camp.