Rhodes even acknowledges that there is nothing “moderate” about Rouhani, Zarif or Khamenei.
The dates and facts conflicted with the narrative, so they were finessed, rewritten and sold to the public with different plot-lines and different themes. Outside Washington, D.C. this behavior is sometimes called lying.
At best Ben Rhodes is the author of a Pyrrhic victory, ensuring that the next president will face the same choice Obama faced but against an Iran armed with nuclear bombs.
This is what happens to foreign policy when it is entrusted to the unqualified and undereducated.
That the Obama administration’s Iran deal is a work of fiction has been known all along, but now Ben Rhodes, Deputy National Security Advisor for Strategic Communications, is taking credit as its author. In a long interview with New York Times reporter David Samuels on Sunday, the world learned that Rhodes is “the master shaper and retailer of Obama’s foreign policy narratives” who “strategized and ran the successful Iran-deal messaging campaign.” Samuels lauds Rhodes as “a storyteller who uses a writer’s tools to advance an agenda packaged as politics.”
Welcome to the post-modern techno-presidency where everything is a text, easily manipulated by skilled writers and disseminated in 140 or fewer characters. Don’t like the facts? Change the narrative. What really counts is “the optics.”
In the midst of his fawning profile, Samuels exposes a number of lies behind the Iran narrative, or rather quotes Rhodes himself doing so. For instance, the first outreach to Iran came 2012, not in 2013. I’d bet it came even earlier. Rhodes even acknowledges that there is nothing “moderate” about Iranian leaders Rouhani, Zarif or Khamenei. But these dates and facts conflicted with the narrative, so they were finessed, rewritten and sold to the public with different plot-lines and different themes. Outside Washington, D.C. this behavior is sometimes called lying.
The Rhodes narrative, at its core, is a simple tale in which a hero, armed with special skills and weapons, goes on a quest that requires a fight against the forces of evil. It incorporates elements of the ancient epic, the medieval romance and the eighteenth-century novel, with elements of drama splashed in here and there.
The hero, of course, is Rhodes’s real-life hero, Barack Obama (with whom he “mind melds,” as he apparently tells anyone who will listen). The hero’s special weapon is diplomacy — in the case of Iran, the Joint Comprehensive Plan of Action (JCPOA), a.k.a., “Iran Deal.” But Rhodes himself is also the hero of his tale. As he tells Samuels in one particularly dewy-eyed moment: “I don’t know anymore where I begin and Obama ends.”