Actors are a peculiar breed. Ask them to play characters of intellectual depth and the more accomplished deliver convincing performances, no problems. As global-warming worrywart Leonardo DiCaprio demonstrated at this week’s Academy Awards, the trouble starts when they write their own lines
Red-carpet aficionados struggling to figure out how a ‘visceral cinematic experience’ – filmed almost entirely in the snowy landscapes of North America – could prompt a frothy take-home serve of climate alarmism from a leading actor should reflect on Mark Twain’s advice: “Never let the truth stand in the way of a good story, unless you can’t think of anything better”.
Today Twain surely would add: “nor in the way of anthropogenic atmospheric angst or a saving-the-planet pitch, no matter how silly”; especially if you have just won an Oscar for the best bear-ravaged frontiersman this side of Fortress Mountain and are doubling as a UN Messenger of Peace with a special focus on climate change.
On the celebrity frontier the mood this week seemed almost as tense – but not as chilly – as it was on location. Plenty of haute-couture and alarming epidermis on display – from Alicia’s ‘fun and flirty’ Louis Vuitton to Kate’s Ralph Lauren ‘garbage bag’. But fewer animal pelts and bear-hugs than last year.
Leonardo DiCaprio was in the front row, just a short walk from his first Oscar after five nominations. In a dignified acceptance speech, the star heaped praise on best director, Alejandro González Iñárritu, and his USD165 million ‘transcendental’ film, The Revenant.
Mad Max: Fury Road’s sound editor turned up the contrast with an F-bomb. True, not the end of the world. But if Mark Mangini did not hear a pin drop, it was probably because it was drowned out by the voice of his spouse, mother or both. “It’s pretty intense up there,” confided co-winner, David White, in Mangini’s defence. “It’s typically Australians who do the swearing. So the fact that I didn’t swear, I deserve the Oscar just for that.”
But DiCaprio’s speech was scarier than any snarling thing roaring down Fury Road. One bear-hunting man’s ‘epic adventure of survival’ somehow morphed post-production into an eco-allegory about
“man’s relationship to the natural world. A world that we collectively felt in 2015 as the hottest year in recorded history. Our production needed to move to the southern tip of this planet just to be able to find snow. Climate change is real, it is happening right now. It is the most urgent threat facing our entire species, and we need to work collectively together and stop procrastinating. We need to support leaders around the world who do not speak for the big polluters, but who speak for all of humanity, for the indigenous people of the world, for the billions and billions of underprivileged people out there who would be most affected by this. For our children’s children, and for those people out there whose voices have been drowned out by the politics of greed. I thank you all for this amazing award tonight. Let us not take this planet for granted..” (transcript , Kadeen Griffiths, 29 February 2016; author’s bolding).