Many biopics tend to cast their subjects in a very positive light.
The Wind That Shakes The Barley, a 2006 film about the Irish War of Independence against the British, presents an unequivocally pro-IRA viewpoint. The film won the Palme d’Or at Cannes. Spike Lee’s 1992 Malcolm X, a hagiography of the admittedly complicated but undoubtedly antisemitic figure, is in the United States National Film Registry as a “culturally, historically, or aesthetically significant film.” That’s fair. Although the film glosses over Malcolm X’s antisemitism and conspiracy theories, that’s not its job. The Oscar-winning 1982 biopic of Mohandas Gandhi ignores many of the more unsavory aspects of Gandhi’s life. That’s how these kind of films are. They’re on the side of their protagonists.
So you can imagine my surprise when I read in Variety that H2O Motion Pictures is making a biopic of Theodore Herzl, the founder of political Zionism.
That they would make a movie about Herzl is in itself nothing remarkable — Herzl certainly led an interesting life, from his years as a struggling playwright, to his manic travels across Europe to meet with whichever national leaders would see him, to his unusual and arguably tragic family life.
What surprised me is that Sidney Blumenthal is attached to the project, both as an executive producer and as a member of an advisory board to “ensure [their] approach to the story [is] as well balanced as possible.” Frankly, this is appalling.