From the opening image of Spike Lee’s new movie Chi-Raq – a red, white, and blue map of the United States composed entirely of the silhouettes of a variety of guns – it is clear that the filmmaker intends to take on the volatile issue of blacks and gun violence in war-torn Chicago, nicknamed Chi-Raq by its black inhabitants after the Middle Eastern war zone. Lee has a habit of provoking racial controversy, and that is no less true of this darkly humorous satire (“not a comedy,” he insists) set in the murder capital of the United States. True to the director’s form, Chi-Raq provokes and dissatisfies those on both sides of the debate.
Spike Lee has attacked both white and black fellow filmmakers in the past for reasons related to race. As noted in his profile at the Freedom Center’s Discover the Networks resource site, Lee excoriated Tyler Perry for the stereotyped depictions of black characters in his hugely popular comedies, and Woody Allen for not featuring enough black characters in his movies set in Manhattan. From his perspective that racism is deeply entrenched in American culture, the enormously wealthy Lee has railed against such issues as interracial couples, Charlton Heston and the NRA, NASCAR, the war in Iraq, the shooting of Michael Brown, and the gentrification of New York. He suspects the government of having engineered the AIDS epidemic and the Hurricane Katrina disaster. He has supported Barack Obama and convicted cop-killer Mumia Abu-Jamal. He has stated that blacks can’t be racist, because they don’t have the political power to impose racism.
But interestingly, Chi-Raq doesn’t take an entirely expected position about blacks and gun violence. Lee could have made a movie about a white cop shooting an unarmed black man, which is the supposed epidemic ravaging the black American community; instead, he made a film that lays the responsibility for the high rate of black deaths annually from gun violence largely on the black community itself. Unlike the Black Lives Matter movement, Lee is willing to face the harsh reality of young black males perpetrating violence against other blacks.