In a climate where just saying “Benghazi” can hint at a political agenda, Michael Bay’s new film “13 Hours: The Secret Soldiers of Benghazi” seems headed into an ideological skirmish that the director swears he wants no part of.
The movie “doesn’t get political at all,” says Mr. Bay, who directed the “Transformers” movies and “Pearl Harbor.” “We show you what happened on the ground. It was written with the men who were there.”
The drama, which opens Jan. 15, recreates the chaotic Sept. 11, 2012, attack on an American diplomatic compound and a CIA station in Benghazi, Libya. Militants killed four Americans, including Ambassador J. Christopher Stevens. Inquiries into what went wrong have dogged Democratic presidential hopeful Hillary Clinton, who as the Secretary of State at the time oversaw the diplomatic corps.
The movie isn’t about the aftermath, Mr. Bay says. The 50-year-old director wanted to make a tense film about American military heroes who rose to the challenge of a deadly sneak attack—something he has done before on a bigger budget. “Pearl Harbor” cost around $140 million in 2001 and made the Guinness Book of World Records for its massive explosions.
From left, John Krasinski, James Badge Dale and director Michael Bay on the set of ‘13 Hours: The Secret Soldiers of Benghazi.’ ENLARGE
From left, John Krasinski, James Badge Dale and director Michael Bay on the set of ‘13 Hours: The Secret Soldiers of Benghazi.’ Photo: Paramount Pictures
“It took 3½ months to set up one explosion, seven hundred events going off on seven ships, 20 planes in the air. The good old days!” he says.
“13 Hours” came in just under $50 million.
“I didn’t want all the expensive toys,” Mr. Bay says. “It was about shooting it very raw, over the shoulder of guys to make it feel like you are really there. Everything that I have learned from many, many soldiers is the confusion of warfare and how everything goes wrong. You kind of feel that in the movie.”
Of course there’s also a commercial aim, that “13 Hours” might follow the path of another January release about modern warfare, “American Sniper.” Made for about $40 million, “Sniper” opened widely last January and reached $350 million in domestic box office, becoming the highest-grossing war movie of all time and the biggest-grossing January movie ever.