As was the case in the wake of January’s attacks on Charlie Hebdo magazine and a Jewish supermarket in Paris, it was remarkable how quickly the narrative about the latest terror rampage in the city became less focused on the appalling details of the attacks themselves, and more about reporting on — and celebrating — the public’s response to the attacks.
After the January attacks it was #JeSuisCharlie and cartoons of broken pencils that were going viral. This time it was Eiffel Tower peace signs doing the rounds, along with more fatuous tweets (#TerrorismHasNoReligion, etc.) and montages of national landmarks lit up in red, white, and blue.
And, of course, that guy playing “Imagine” on a piano. They invoke Allah, and we invoke John Lennon.
As in January, this narrative has been crafted by politicians and the mainstream media, and embraced by millions in France and around the world, especially by liberals. It’s a narrative that justly celebrates the resolve of the French people, but which also allows millions with no connection to the horrific events in Paris to join in vicariously. And it enables liberals to indulge in their favorite pastime of virtue signalling and to congratulate themselves on how downright tolerant they are.