The multi-faceted essence of the Arab-Israeli conflict and Israeli-Palestinian war is territorial, political, ideological, and religious – a convulsive confrontation between the mutually exclusive claims of Judaism and Islam.
But a fifth dimension of the conflict is culture – popular culture – embodied in a code of identity that differentiates one human community from another.
Culture is not negotiable or alterable: it is the texture of the life people live, and the local rhythm of things they know from their earliest memories. It is an inbred code of behavior and, as for all peoples, precedes and precludes morality, thought, and judgment.
The reason why the cultural component of the conflict is ignored stems from the fact that in order to appreciate a culture, you basically have to know it from the inside; and outsiders, non-Arabs, are ignorant of Arab culture, and haughtily assume that it has no value.
Add to this obstacle the fact that a native always behaves differently when he is with a foreigner than with a fellow-native. Surface-like conversations between people from different cultures can reveal very little. To call the Arabs rhetorically flexible is a kind way to infer their masterful command of deception.
It is Arab culture in particular, atavistic and organic, encased in the old binding from its historical origin, which must be addressed in order to better explore the intractability of the long Arab-Israeli rivalry