Americans are the only people in the world who go to see movies in which they are the villains.
Russians stayed away from Jack Ryan Shadow Recruit with its Slavic villains (though Chinese audiences liked it well enough). And movies with Chinese villains can’t get made because the People’s Republic has more devastating penalties for offending studios than a mere hacking. Instead of leaking private emails, the studios simply aren’t allowed to release their movies in the world’s second biggest film market.
Hollywood’s titans take a break from patting themselves on the back for their commitment to freedom of expression and eagerly rush to work with the censors of the Chinese Communist Party to make their movies acceptable to China.
Muslim villains can’t appear in movies at all since September 11. The last time a movie had a villain named Mohammed, the filmmaker ended up hauled out of his home and tossed into jail. Hillary Clinton, Hollywood’s choice, had assured grieving Benghazi family members that instead of punishing their son’s killers, she would “have that person arrested and prosecuted that did the video.”
With script control like that, it’s no wonder that you don’t see many Muslim movie villains. Not when Hillary is planning her presidential victory tour.
What does all that leave Hollywood scriptwriters with? Aliens, comic book villains and North Korea.
North Korea is a perfect villain because it isn’t a film market. Even possession of an American film can mean death. You can’t release the next weepy melodrama or comic book movie there which makes it fair game. And so a small nasty country with no sense of humor became the favorite movie villain of a gutless entertainment industry.
James Bond took on North Koreans in Die Another Day, the North Koreans invaded the White House in Olympus Has Fallen (or rather a radical faction of North Koreans, even before the Sony hack Hollywood was staking out a cautious position) and took over America in the Red Dawn remake.