Even amidst death threats and Islamist violence, Flemming Rose remains a staunch advocate for freedom of speech. In a Europe with ever-increasing speech restrictions, he argues for the equivalent of a global First Amendment.
On October 13, 2014, both the Cato Institute and the Newseum in Washington, DC, hosted Rose, author of the recently published book, The Tyranny of Silence. Rose and his paper maintain high security generally. But surprisingly, the only apparent security at these two events consisted of security guards from institutions holding them. Cato had approximately 75 people in attendance, including a young man from FIRE. The Newseum had a smaller audience, consisting of about 35 people, most of whom were older and likely Newseum members, as only members were sent prior notification. Both audiences were attentive, responsive and had numerous questions for the editor during Q&A. Additionally, both events were taped for online viewing.
Rose is an editor of Jyllands-Posten, a Danish newspaper, notorious for its 2005 publication of twelve cartoons of the Muslim Prophet Mohammad. Considered blasphemous, the drawings provided Islamists with an excuse to riot across the Muslim world and destroy Danish embassies, killing approximately 200 people.
Preceding these events, Danish author Kåre Bluitgen, wrote a children’s book on Islam’ s Prophet and wanted to include illustrations. Bluitgen sought to commission several illustrators for the Mohammad images. Two declined and one agreed on the condition of anonymity. The illustrators cited safety concerns stemming from death threats to Salmon Rushdie in the United Kingdom and the murder of Theo van Gogh in the Netherlands, both of whom allegedly “blasphemed” Islam. Questions arose as to whether fear caused the illustrators to engage in self-censorship concerning Islam, and whether individuals in the media should cater to a small minority that reacts violently to discussion deemed offensive.
Jyllands-Posten asked members of the illustrator’s union to draw Mohammad as they saw him. The newspaper accepted submissions for seven to ten days. It subsequently published twelve illustrations along with an article addressing free speech and self-censorship. “No one could have anticipated” what would follow, Rose explained. The cartoons were the purported cause of violence that erupted throughout the Middle East, making Rose and his newspaper the center of a media storm. All context was lost.
Rose had sought a debate about ideas and a civil way to maintain a dialogue. Yet jihadists threatened to bomb the Jyllands-Posten’s offices and murder the cartoonists, forcing several of them into hiding. Both Rose and Jyllands-Posten have had to maintain heavy security ever since.